+234Art Fair Holds First Edition In Lagos

There is a brand-new Nigerian art fair dedicated to supporting emerging artists that is coming up in Lagos from 22nd to 31st March, 2024. +234Art Fair is dedicated to nurturing and uplifting the burgeoning art industry in Nigeria by providing a platform that supports emerging artists and encourages art acquisition.


 
 

+234Art Fair is dedicated to nurturing and uplifting the burgeoning art industry


There is a brand-new Nigerian art fair dedicated to supporting emerging artists that is coming up in Lagos. It’s called the +234 Art Fair and will run from 22nd to 31st March, 2024.

+234Art Fair is dedicated to nurturing and uplifting the burgeoning art industry in Nigeria by providing a platform that supports emerging artists and encourages increased interest in art acquisition, thereby contributing to the growth and prosperity of the local art sector as well as its international recognition.

The 2024 theme for the +234 Art Fair is “Heritage”, aimed at young artists to explore ways in which they can build practices that tie to the past but also create new futures. The fair seeks to explore the development of young artists in order to give inspiration and insight on how the creation of an indigenous style contributes to global reach and success. 

The Venue for the Fair is the new Ecobank Pan-African Centre, Ozumba Mbadiwe Avenue, Victoria Island, Lagos. The programme of events include Masterclasses that will treat subjects such as African Art in the Global Art Market, The Business of Photography, Bridging Time: Connecting Heritage and Modernity in Nigerian Art, How to Navigate the International Art Scene as a Local Artist, Artistic Research, Grant Writing, Navigating Biennales and Museums in Contemporary Art

Panelists include Florence Lynch, a New York-based art dealer, Alain Ngann a photographer artist, Kelechi Amadi-Obi, a Nigerian creative photographer, Oluwatoyin Sogbesan an architect, a cultural historian, Jess Castellote, the Director of the Yemisi Shyllon Museum of Art; and many more

The exhibition’s title, “+234Art,” cleverly merges Nigeria’s country calling code (+234) with the encompassing term “Art,” serving as an all-encompassing representation of the contemporary Nigerian art scene and its interconnectedness with the broader African and global art community.  This free-entry fair offers an immersive showcase of painting, photography, and sculpture, providing the public with an upclose look at the latest creative endeavours of emerging artists and photographers in Nigeria.

For more info on +234 Art Fair


 
 

 
 



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Ozioma Onuzulike Expo Chicago Booth 374

Kó is pleased to debut at Expo Chicago, the international exposition of contemporary and modern art, in Chicago, Illinois. This presentation will showcase seven new ceramic artworks by Ozioma Onuzulike, featured in the Exposure section.


 
 

Ozioma Onuzulike Expo Chicago Booth 374

April 13-16, 2023


By AFRICA-RELATED


VIP Preview: April 13, 12-9 PM

Opening Night: April 13, 6-9 PM

* By Invitation

Public Days:

Friday, April 14, 11 AM-7 PM

Saturday, April 15, 11 AM-7 PM

Sunday, April 16, 11 AM-6 PM

Navy Pier, Festival Hall, 600 E Grand Ave, Chicago, Illinois



Kó is pleased to debut at Expo Chicago, the international exposition of contemporary and modern art, in Chicago, Illinois. This presentation will showcase seven new ceramic artworks by Ozioma Onuzulike, featured in the Exposure section.

Ozioma Onuzulike (b. 1972, Achi, Enugu State, Nigeria) creates large-scale ceramic installations that hang like tapestries, formed from thousands of ceramic palm kernel beads, terracotta, copper rings, and natural shells. He explores the aesthetic, symbolic and metaphorical nature of the clay working process – pounding, crushing, hammering, wedging, grinding, cutting, pinching, punching, perforating, burning, and firing. His recent work is inspired by yam tubers, palm kernel shells and honeycombs which he mass-produces in terracotta and weaves together in often laborious processes. He configures a multiplicity of the individual units in ways that call attention to pressing socio-political and environmental issues, such as reckless politics, bad governance, imperialism, terrorism and climate change. Adopting the laborious process of firing the materials through multiple kilns, each firing creates unique colors and textures in transforming the clay, oxides, glazes and recycled glass.

Hailing from Nigeria’s prestigious Nsukka School in Southeastern Nigeria, his work has become synonymous with Nsukka’s experimental art department which he has led, known for its conceptual and material processes. An important center for art education in Nigeria, the art department at Nsukka has been spearheaded by luminaries such as Nigerian modernists Uche Okeke and Chike Aniakor in the early 1970s, and has subsequently been led by pioneering artists including Obiora Udechukwu and El Anatsui, stressing the exploration of ideas, materials and forms sourced from the environment.

Ozioma Onuzulike graduated First Class from the Department of Fine and Applied Arts, University of Nigeria, Nsukka, where he now serves as Director of the Institute of African Studies. His solo exhibition, Seed Yams of Our Land, was held at the Centre for Contemporary Art (CCA), Lagos, Nigeria, in 2019, along with a presentation of his poetry collection of the same title also published by the CCA. kó presented Onuzulike’s exhibition, The Way We Are, in 2021. His works were included in [Re:]Entanglements: Colonial Collections in Decolonial Times at the Museum of Archeology and Anthropology, University of Cambridge, UK. His exhibition, Strings the Length of Our Palm’s Seal, was held at Chertlüdde, Berlin, in 2022. His work has been included in recent presentations at The Armory Show, 1-54 London, Artgenève and Zonamaco. Onuzulike is a fellow of the Civitella Ranieri Centre, Umbertide, Perugia, Italy, where he undertook a residency under the UNESCO-ASCHBERG Bursary for Artists, and an alumnus of the Skowhegan School of Painting and Sculpture, Maine, USA. His work is in the permanent collection of the Museum of Anthropology and Archeology, University of Cambridge, Princeton University Art Museum, Hudson Valley Museum of Contemporary Art, New York, and the Yemisi Shyllon Museum of Art, Lagos.


 
 



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List of National Museums in Nigeria

The National Commission for Museums and Monuments (NCMM) is an offshoot of a department in the then Federal Ministry of Works that was established in 1953. It was transferred to the Federal Ministry of information as the Department of Antiquities by ordinance 17 of the Colonial Government of 1953.


 
 

The National Commission for Museums and Monuments (NCMM) is Nigeria’s governing body that was “stablished to manage the collection, documentation, conservation and presentation of the National cultural properties to the public for the purposes of education, enlightenment and entertainment”.


By AFRICA-RELATED

List of National Museums in Nigeria 

How many have you visited?




1
National Commission for Museums and Monuments, Abuja
Office of Head of Service,
Federal Secretariat Complex,
Block C, First Floor, Shehu Shagari Way, Abuja FCT.
PMB, 171, Garki – Abuja


2
National Museum of Colonial History, Aba
No. 6 Ikot Ekpene Road
P.M.B. 7116 Aba,
Abia State.


3

National Museum, Abakaliki
No. 6 St. Patrick Road,
Kiriri, Abakaliki
Ebonyi State.


4

National Museum,
Abeokuta
Baptist Girls College, Idi-Aba, P.M.B. 2004 Abeokuta
Ogun State


5
National Museum,
Akure
Opposite Post Office
Oba Adesida Road, P.M.B 444
Akure, Ondo


6
National Museum,
Asaba
Mungo House Park,
P.M.B 95071
Asaba, Delta State.


7
Abubakar Tafawa Balewa Mausoleum, Bauchi
Kofar Ran Road
Bauchi, Bauchi State


8
National Museum, Benin    
Ring Road, Benin City
P.M.B. 1115, Benin City
Edo State


9
Rock Art Interpretive Centre, Birnin- Kudu
Kano-Bauchi Road
Birnin Kudu, Jigawa State


10
National Museum,
Calabar
Ekpo Eyo Drive, P.M.B. 1180, Calabar, Cross River State


11
Slave History Museum, Calabar
Marina Resort,
P.M.B. 1180 Calabar, CRS


12

National Museum, Damaturu
Opposite Ben Kadio Housing Estate, Behind Cultural Centre, Maiduguri Road
Damaturu, Yobe State


13
National Museum of Unity, Enugu
65 Abakaliki Road
P.M.B. 1285, G.R.A, Enugu


14
National Museum,
Esie
P.M.B. 301, Esie
Kwara State

15

National Museum Gombe
Gombe Federal Secretariat Complex,
Room 289-294 2nd Floor,
Gombe City Centre, Gombe State.


16

National Museum,
Hong
Local Govt. Secretariat Complex, P.M.B. 2262,
Hong, Adamawa State


17

Institute of Archaeology & Museum Studies (I.A.M.S)
Opposite Central Bank Parking Space,
P.M.B 2031
Jos, Plateau State.


18

National Museum of Unity, Ibadan
Alesinloye Area, P.M.B. 5524,
Ibadan, Oyo State

19

National Museum ICT Centre, Oko Surulere
National Museum, Oko Surulere, Oko
P.O.Box 1706
Oko, Ogbomosho
Oyo State.


20

National Museum,
Igbo-Ukwu
Km. 4, Umudege Ezinifite Road,
Igbo-Ukwu, Aguata LGA, Anambra


21

National Museum, 
Ile-Ife
Enuwa Square, P.M.B. 5515,
Enuwa Ile-Ife, Osun State


22

National Museum,
Ilorin
14 Abdulkadri Road, P.M.B. 1549,
GRA Ilorin, Kwara State


23

National Museum, Jalingo
Besides Taraba State Ministry of Culture and Tourism,
Opposite Governor’s Office, Jalingo

24

National Museum,
Jos
P.M.B. 2013, 
Jos, Plateau State


25

National Museum, Kanta
Kanta Museum
P.M.B. 1001
Argungu
Kebbi State.


26

Museum of Traditional Nigerian Architecture (MOTNA), Jos
Opposite High Court
P.M.B. 2931, JosPlateau State


27

Zoological Garden, Jos
Opposite Jos Museum,
P.M.B. 2013, Jos Plateau State


28

Centre for Earth Construction Technology (CECTECH)
Opposite Jos Museum,
P.M.B. 2013 Jos, Plateau State

29

National Museum, Kaduna
No. 33, Ali Akilu Road
P.M.B. 2127, Kaduna, Kaduna State

30

Gidan Makama, Museum, Kano
Opposite Emir’s Palace, Kano city,
P.M.B. 2023, Kano State.

31

National Museum, Katsina
Kofa Uku, along Mohamadu Dikko Road,
P.M.B. 409, Katsina State.

32

National Museum, Koko
Nana Living Spring Museum,
Koko, Delta State

33

National Museum, Lafia
Behind Deputy Governor’s Office, Shendam Road,
P.M.B. 127, Lafia, Nasarawa State


34

National Museum, Lagos
King George V. Road, Onikan,
P.M.B. 12556, Lagos State.


35

National Museum of Colonial History, Lokoja
P.M.B. 1022, Lokoja,
Kogi State.


36

National Museum, Maiduguri
Custom Area, Maiduguri, P.M.B. 1029,
Maiduguri, Borno State


37

National Museum, Makurdi
GP 4, Ahmadu Bello, Opp. Deputy Governor’s Office,
P.M.B. 102294,
Makurdi,
Benue State.


38

National Museum, Minna
Federal Secretariat Complex, Minna,
P.M.B. 538, Minna, Niger State


39

National Museum, Nok
Kwoi-Jaba LGA, Kwoi,
P.M.B. 0006,
Kaduna State.


40

National Museum, Ogbomosho
No. 3 Museum Street
Off, Sunsun Road
P. O. Box 1602, Ogbomoso
Oyo State.


41

National Museum, Oron
P.M.B. 1004, Oron,
Akwa Ibom State

42

National Museum, Oshogbo
Ataoja’s Palace, P.M.B. 4376, Oshogbo
Osun State.


43

National Museum, Owerri
B65 Shell Camp, Off Orlu Road,
P.M.B. 1585, Owerri Imo State.


44

National Museum, Owo
Olowo’s Palace, Owo,
P.M.B. 1003, Owo,
Ondo State


45
National Museum, Oyo
No.1 Palace Road,
Aafin Oyo,
Oyo State


46

National Museum, Port Harcourt
Near No. 2 Hairle Street, Old GRA, Opp Delta Hotel,
P.M.B. 5766, Port Harcourt,
Rivers State.


47

National Museum, Sokoto
Federal Secretariat Complex, Sokoto,
P.M.B. 2367, Sokoto, Sokoto State.


48

Interpretation Centre, Sukur
Mubi-Maiduguri Road, Sukur,
P.M.B. 06, Madagali Local Government,
Adamawa State.


49

National War Museum, Umuahia
War Museum Road, Ebite-Amafor, Isingwu by Ugwunchara,
P.M.B. 7074, Umuahia, Abia State.


50
National Museum, Uyo
Ring Road II, Aka Offot (Behind Ibom Hall), P.M.B. 1109,
Uyo,
 Akwa Ibom State.


51
National Museum, Yenagoa
Ijaw House
Sani Abacha Express Way,
Yenagoa, Bayelsa State.


52

National Museum, Yola
No. 2 Mohammed, Tukur Road, Off Ahmadu Bello Way (Opposite Army Command Primary School), Jimeta, P.M.B. 2262, Jimeta-Yola, Adamawa State.


 
 



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W.E.B. DU BOIS MUSEUM COMPLEX GHANA - Restoration Plan Commences

The W.E.B du Bois Center in Ghana is where the remains of Man, his wife Shirley and vast collection of books and personal items have been since his death on August 27, 1963.


 

By Oyiza Adaba | Africa-Related New York

And Beatrice Arthur | Ghana

 
 

The great African-American Scholar, Civil Rights Activist and father of Pan-Africanism who influenced the likes of Ghana’s first Prime Minister/President Kwame Nkrumah, envisioned Ghana to be his final resting place. 

W.E.B du Bois Photo by webdbmf.org

This symbolic and historic gesture gave birth to the W.E.B du Bois Centre in Accra, where the remains of the Man, his beloved wife Shirley and the vast collection of his books and personal items have been, since his death on August 27, 1963. He had spent a good part of 1961-1963 in Ghana curating the contributions of Africans to global development in the five-volume Encyclopedia Africana. Du Bois was interred in a state funeral outside Christiansborg Castle in Osu, formerly a holding pen for the slave cargoes bound for the Americas.

“I had planned an "Encyclopedia Africana" in 1909 but my leaving Atlanta for New York postponed this project and the World War prevented its renewal. In 1934 I was chosen to act as editor-in-chief of a new project of the Phelps-Stokes Fund to prepare and publish an Encyclopedia of the Negro. I spent nearly ten years of intermittent effort on this project and secured cooperation from many scholars, white and black, in America, Europe and Africa. But the necessary funds could not be secured. Perhaps again it was too soon to expect large aid for so ambitious a project directed by Negroes and built mainly on Negro scholar­ship. Nevertheless, a preliminary volume sum­marizing this effort was published in 1945. (p.302)

- W. E. B DU Bois 1968 Autobiography 


In recent times however, that vision has weathered the storms of indifference and neglect, giving room for a new vision by the management of the W.E.B Du Bois Museum Foundation. Headquartered in New York and under the leadership of Japhet Aryiku, the Foundation stresses that the redesign and expansion project aims to re-establish a cultural destination for academics, the diaspora, and the local Ghanaian community that honors the momentous work of its namesake. 

On the 59th anniversary of his death, this milestone unveiling was witnessed by du Bois’ great grandson Jefrey Peck, and made possible through a partnership with Ghana’s Ministry of Tourism Arts & Culture.

Museum unveiling ceremony, Accra Ghana

The Museum Complex has Sir David Adjaye of Adjaye Associates as the design Architects. The project is expected to be completed in 2024 with public support and donations. See how you can support below.

Get to know the WEBDB Museum Project here




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HIGHLIGHTS: CHALE WOTE & HOMOWO FESTIVALS

See images of the colorful display of Culture and Talent at annual Chale Wote and Homowo Festivals in Accra Ghana


By Africa-Related New York

Photos: Beatrice Arthur


TWO FESTIVALS SIDE BY SIDE

The Chale Wote Street Art Festival also known as Chale Wote is an alternative platform that brings art, music, dance and performance out into the streets. The festival targets exchanges between scores of local and international artists and patrons by creating and appreciating art together. Wikipedia

Homowo is a harvest festival celebrated by the Ga people of Ghana in the Greater Accra Region. The festival starts in the month of August with the planting of crops before the rainy season starts. During the festival, they perform a dance called Kpanlogo. Wikipedia

Photos by @annabetya

Get to know more about the historic location of Jamestown Accra, and plan your next visit.

 
 




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2022 GLOBAL CITIZEN FESTIVAL: ACT NOW!

The Lineup for the 2022 Global Citizen Festival has been announced. It will take place in New York and Accra Ghana on September 24, 2022


 

Words: Oyiza Adaba

Africa-Related New York

 


Follow us

 
 

ACT NOW!

Listen to the Message in the MusicWorld Leaders Told

Advocacy is at the core of the 2022 Global Citizens Festival. Bearing that message to world leaders, corporations and citizens, is an impressive lineup of performers across different musical genres. The message is this:

  • Amply voices of Girls

  • Tackle Global Food Crisis

  • Address Financial Imbalance of Climate Change

  • Provide Debt Relief


It is a call that would be heard from the historic Black Star Square in Accra, Ghana to Central Park New York, where performances would run concurrently on September 24, 2022.

The U.S lineup include Metallica, Mariah Carey, Jonas Brothers, while Usher, SZA, Stormzy, Gyakie, H.E.R., Sarkodie, Stonebwoy, and TEMS will perform in Ghana, to celebrate the country’s 65th independence anniversary and the 20th anniversary of the African Union.

Learn more about the upcoming festival and how you can get involved.




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FUNDING FOR CULTURAL OPERATORS IN AFRICA

African Culture Fund offers its 11th batch of  funding to cultural creators


 

By Africa-Related New York

 

CALL FOR PROPOSALS #11

The African Culture Fund (ACF)  is searching for cultural operators in the following sectors:

  • PERFORMING ARTS

  • CINEMA/AUDIOVISUAL

  • VISUAL ARTS

Application Deadline: September 16, 2022 at midnight GMT.

Get to know the stories about past recipients of the funds by following ACF on social media.




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