Afrobeat 'Son' DEDE on MESSENGERS
We are joined by the renowned Afrobeat saxophonist, performer, and bandleader, Dede Mabiaku - often regarded as one of Fela Kuti’s musical sons
Africa-Related New York
Afrobeat saxophonist Dede Mabiaku. On stage in Lagos, at Felabration 2019.
In this episode of 'Messengers with Oyiza,' we are joined by the renowned Afrobeat saxophonist, performer, and bandleader, Dede Mabiaku. Often regarded as one of Fela Kuti’s musical sons, Dede shares vivid stories from the formative years of Afrobeat, reflecting on his life both on and off stage with Fela and leading The Kalafrika Band.
A trained theatre artist with a commanding stage presence, Dede’s journey is rooted in rhythm, resistance, and a deep commitment to African culture. This episode explores lineage, identity, and the evolution of an artist within a global movement.
Dede and Fela in an undated photo. Courtesy of Dede Mabiaku
Dede & Kalafrika Band perform at Felabration 2019 at Freedom Park, Lagos.
Dede reflects on a question on Messengers Podcast
Oyiza Adaba: Host of Podcast series ‘Messengers’.
‘MESSENGERS with Oyiza’ is an engaging interview TV/podcast series hosted by Nigerian journalist and producer Oyiza Adaba. Produced by Africa-Related and recorded remotely from New York and on location, the show blends relaxed conversations with interviews of selected guests who discuss topics about Africa for a global audience. The conversations aim to bridge divides, correct misconceptions, and spark positive discussion about Africa and its people. Each 30-minute episode features inspiring stories, creative graphics, video clips, and background reports. The series focuses on Africa's People, Places and Issues.
For more stories told from an African perspective, follow us at africarelatedinc
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NAIJA SOUNDS AND VISION SCAPES: A Centennial Celebration of Nigerian Popular Music (1925–2025)
This November, the Nsibidi Institute hosts A Centennial Celebration of Nigerian Popular Music (1925–2025). From the seminal recordings of Yoruba Folk songs by Chief Ladipo Solanke, under the Zonophone label in 1925, the modern Nigerian popular music industry emerged.
By Africa-Related, Nigeria
This November, the Nsibidi Institute invites you to a landmark cultural gathering that commemorates 100 years of Nigerian popular music and its deep visual, social, and historical footprint.
Date: 30 November 2025
Time: 1 PM – 9 PM
Venue: Didi Museum, 175B Akin Adesola Street, Victoria Island, Lagos
NAIJA SOUNDS AND VISION SCAPES
A Centennial Celebration of Nigerian Popular Music (1925–2025)
From the seminal recordings of Yoruba Folk songs by Chief Ladipo Solanke, under the Zonophone label in 1925, ( three years after pioneer choral recordings of Rev J. J Ransome-Kuti) the modern Nigerian popular music industry emerged.
Through music, imagery, film, and archival reflections, we explore how Nigerian sound has shaped identity, influenced movements, and contributed to global culture over the last century.
Expect a full-day immersive experience featuring:
Museum Installations — tracing the evolution of rhythm, instruments, performance, visual and sonic memory.
Photo Exhibition — historic and contemporary visual narratives of Nigerian music culture.
Panel Discussion — scholars, artists, and cultural workers unpacking 100 years of sound, influence, and innovation.
Film Screenings — four remarkable films illuminating our musical and cultural journey:
Film Lineup:
‘Ije Enu’ by Chikezie Ifedobi, the critically acclaimed Celestine Ukwu biopic
‘Fatai Rolling Dollar Unplugged’ by Femi Odugbemi. A detailed and sensitive tribute to the legendary musical sage.
‘Bamidele: The Dele Sosimi Story’ by Muni King-Keazor and Ed Keazor, tracing the iconic story of the Afrobeat superstar, mentored by the legendary Fela Anikulapo-Kuti.
‘My Father’s Book’ by Kagho Idhebor. An endearing chronicle of the Nigerian disco scene of the 1970s - 1980s.
Join us as we celebrate a century of rhythm, memory, and vision — and honor the artists, communities, and cultural forces that made Nigerian music a global heartbeat.
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The long-anticipated solo exhibition Ozioma Onuzulike:
The long-anticipated solo exhibition Ozioma Onuzulike: Who Knows Tomorrow opened to an enthusiastic audience yesterday, 14th March 2025, at the Marc Straus Gallery in New York.
The long-anticipated solo exhibition Ozioma Onuzulike: Who Knows Tomorrow opened to an enthusiastic audience yesterday, 14th March 2025, at the Marc Straus Gallery in New York.
In Ozioma Onuzulike’s workshop in Nsukka, Nigeria, the fiery core of the kiln is a crucible of radical transformation. Within this space, the artist experiments, explores, and forges a universal language - one without a name, yet shared across borders. Here, art transcends national divisions, creating dialogues that connect rather than divide. Using pigments from the UK, clay from Nigeria, and exhibiting in New York, Onuzulike’s work speaks in a boundless, cross- cultural discourse.
A major source of inspiration for Onuzulike’s work is his mentor and teacher, Ghanaian sculptor El Anatsui, particularly his series of broken pots from the 1970s. Onuzulike extends these ideas to his art making; his process - cutting, smashing, and subjecting clay to violent force - mirrors historical ruptures, evoking war and colonial exploitation. Fire, both destructive and creative, is central to this narrative, transforming materials in an irreversible act of transmutation.
A recurring motif in Onuzulike’s work is the palm kernel, symbolising Africa’s extracted and discarded resources. Whether human or material, Africa has long been exploited without regard for ethics or sustainability. His work features palm kernel shells, both natural and clay-fabricated, together with glass, evoking Venetian trade beads historically used in transactions, including the transatlantic slave trade. Once a symbol of subjugation, these beads have re-emerged as markers of wealth and status - Onuzulike reclaims them, integrating the legacy of trade into contemporary cultural expression.
Deeply rooted in local traditions that have endured for centuries, Onuzulike draws inspiration from his surroundings, incorporating material and non-material heritage, from the intricate patterns of Kente and Babariga textiles to the impermanent lines of Uli design; from naming his works after figures of political and social significance to naming his heavy creations after types of clothing and armour - a purpose they can never serve. All of this informs his practice, adding layers of historical references and semiotic relationships that are evident not only in the forms and textures of his sculptures but also in their very names.
These themes can be seen in Royal Alkyabba, Onuzulike’s most ambitious work to date, a majestic large-scale cape comprised of over 35,000 individually cast ceramic pieces and palm kernels woven into a glorious tapestry. In another more playful work, FlaMboyant Armour for Femi Falana I, Onuzulike brings new colour, reverence, and humour to his oeuvre, naming the piece after Femi Falana, an important human rights activist in Nigeria, participating in a regional custom of naming children, fashion, and other acquisitions based on the circumstances of their birth or significant events of the time.
Onye ma echi—who knows tomorrow? This Igbo maxim echoes throughout Onuzulike’s work, embodying the unpredictability of history, identity, and transformation. Through ceramics, he navigates a complex web of associations, drawing on traditional practices of making, dressing, naming, and thinking to interrogate the shifting relationships between symbols and meaning. In a world of rapid political and environmental change, his work becomes a discourse on history and resilience, asking what is lost, what is reclaimed, and what the future might hold.
The gallery is proud to present Ozioma Onuzulike’s second solo exhibition in the United States. Onuzulike (b. 1972) is Professor of Ceramics and African Art History, and Director of the Institute of African Studies at the University of Nigeria, Nsukka. His solo exhibitions include Seed Yams Of Our Land at the Centre for Contemporary Art (CCA), Lagos, Nigeria (2019), along with a presentation of his poetry collection of the same title also published by the CCA. His works were included in the exhibition at the Museum of Archeology and Anthropology, University of Cambridge, UK, arising from the [Re:]Entanglements research project led by Professor Paul Basu. Onuzulike is a fellow of the Civitella Ranieri Centre, Umbertide, Perugia, Italy, where he completed a residency under the UNESCO-ASCHBERG Bursary for Artists. He is a 2011 recipient of the African Humanities Postdoctoral Fellowship Award from the American Council of Learned Societies (ACLS) and a 2010 Leventis Postdoctoral Research Fellow, University of London Centre of African Studies, SOAS; and an alumnus of the prestigious Skowhegan School of Painting and Sculpture, Maine, USA. His work is represented in numerous important collections, including the Yemisi Shyllon Museum of Art, Lagos, Nigeria; Museum of Archeology and Anthropology, Cambridge University, Cambridge, UK; Princeton University Museum, Princeton, NJ; The Design Museum, Munich, Germany; Hudson Valley Museum of Contemporary Art, Peekskill, NY; Donnersberg Collection, France.
Ozioma Onuzulike: Who Knows Tomorrow will remain open until April 26, 2025, at the Marc Straus Gallery, 57 Walker Street, New York, New York, 10013. You may follow the artist’s work on Instagram @ozioma.onuzulike.
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#GloryBeToGod
ALBUM REVIEW: Godwin Louis Compels in Psalms & Proverbs
Our spotlight is on Godwin Louis's compelling sophomore album "Psalms and Proverbs." We will detail its tracks and discuss the impressive organ piece, showcasing its intensity and the deep thoughts evoked by his musical influences.
By Oyiza Adaba, New York
Album Cover: Godwin Louis’ “Psalms and Proverbs”.
Our spotlight is on Godwin Louis's compelling sophomore album "Psalms and Proverbs," where we will take the time to break down its various tracks in detail. We will engage in a thoughtful discussion about the impressive organ masterpiece featured in the collection, highlighting its profound intensity and the deep thoughts his musical influences evoke throughout the listening experience.
ALBUM REVIEW
Based on my deep and attentive listening of Godwin Louis's album "Psalms and Proverbs,” I can confidently conclude that the diverse musical influences found throughout the album, as well as the various artistic collaborations featured within it, are intricately woven into the overall theme and message that the artist is trying to convey.
African and Haitian influences: Several tracks prominently feature traditional African and Haitian beats, rhythms, and distinctive instrumentation. This musical choice not only reflects Godwin Louis's own roots but also highlights the album's strong connection to his rich cultural heritage and experiences, particularly through his collaborative work with artists in Togo.
Meditative and prayerful elements: The organ opening of “Pwoblem Yo” (track 4) serves as convincing evidence of his deep church upbringing, while other tracks such as "Psalm 121" and the various sections of "Psalm 23" offer a meditative and prayerful quality. . This suggests a pervasive spiritual and reflective theme that resonates deeply throughout the entire album. The lead single single Showers of Blessings/ Kplolanyuiade brings listeners to the church with an offering a jazzy and joyful melange of sounds inspired by hymns and other religious songs from the Caribbean and West Africa. Personally, it is reminiscent of the depth behind John Coltane’s ‘The Creator has a Masterplan’.
Blending of genres: The album skillfully blends a variety of genres, seamlessly incorporating elements of jazz, blues, rock, and carnival-like sounds. This rich diversity reflects the album's broad appeal and its ability to reach a wide range of listeners from different musical backgrounds, whether they are fans of jazz, gospel, Latino, African music, or world music.
New York influence: Tracks 11 and 12 distinctly highlight the album's connection to the vibrant New York jazz scene, thereby adding yet another significant layer of cultural influence. One cannot help but notice Godwin's upbringing in Harlem resonating prominently throughout the journey of “Psalms and Proverbs.”
Band Group photo (photo credit Blue Room Music)
The album features Louis on alto and soprano saxophone, Billy Buss on trumpet and flugelhorn, pianist Axel Tosca, organist Johnny Mercier, drummer Obed Calvaire, percussionist Markus Schwartz, bassist Hogyu Hwang and Trinidad-born trumpet star Etienne Charles.
Overall, I would assert that the diverse musical influences displayed by Godwin Louis in "Psalms and Proverbs" significantly contribute to a rich and multifaceted album that genuinely celebrates the artist's cultural heritage, spiritual journey, and impressive artistic versatility. Ultimately, this creative work serves to uplift and bless the listener in meaningful ways, as I experienced it.
About the artist
The Grammy-nominated Godwin Louis (pronounced god-win lou-ee) is a celebrated saxophonist and composer. He was born in Harlem, New York to Haitian parents and raised in Bridgeport, Connecticut and in Port-au-Prince, Haiti. He is a professor at the prestigious Berklee College of Music in Boston and also teaches at the summer music camps of the Connecticut jazz nonprofit Back Country Jazz. “Psalms and Proverbs” is Louis’s follow-up to his debut “Global”, released in 2019. The album is available internationally through the Blue Room Music label
MESSENGERS S4
Discover Godwin Louis in Season 4 of our TV series MESSENGERS, arriving in early 2025. Subscribe to @africarelatedinc for updates.
The South Bronx Inspires BIG TIME! Album Cover
Three artistic figures with an intricate historical tie to the South Bronx, seemingly come together on a project targeted at celebrating a borough that is home to global talents and trends. Learn more about André Trenier, Andrew Freedman and Words by MOE.
by Oyiza Adaba
The 2024 Album Cover: BIG TIME! Words By MOE that brought three South Bronx fixtures together.
Three artistic figures with an intricate historical tie to the South Bronx, seemingly come together on a project targeted at celebrating a borough that is home to global talents and trends. Learn more about André Trenier, Andrew Freedman and Words by MOE.
it’s worth the read
““I have traveled all over the world painting and competing in International Art Competitions and made a lot of friends. I love to see new places, meet new people, and learn new things. Let’s combine my talent with your vision and CREATE SOMETHING!” ”
BIG TIME! Inspiration Behind the Album Cover
The inspiration for the debut album cover for Spoken Word artiste Words By MOE, comes from the South Bronx, specifically a mural painted by graffiti artist and muralist, André Trenier.
The mural is located at The Andrew Freedman home, a historic site and designated New York City landmark located on the Grand Concourse in the South Bronx. It is not lost on us that the location is known for its musical history and graffiti art.
Muhammad Ali mural by André Trenier at Andrew Freedman Home in the South Bronx, NY. Photo by Africa-Related
The mural features significant historical and cultural elements, including Muhammad Ali, his butterflies and bees with a positive "wake up" call to transforming dreams into reality. It also has The Amistad painting with Senbge Pieh a.k.a "Jospeh Cinque", the slave sold in 1839, who headed the revolt on board the Amistad ship. Later, he and others would be fareed to return to his native Sierra Leone.
The Historical Significance of the Andrew Freedman Home
Imagine being a self-made millionaire with a morbid fear of losing your wealth in an instant. This is what drove Andrew Freedman to create a charitable trust to build a retirement home in 1924, for older individuals who had formerly been of good financial circumstances.
At its peak, the home could accommodate about 130 residents, housing 130 residents at a time in comfortable quarters that had Italian-tiled bathrooms. The tenants came mostly from victims of the Wall Street crash and World War II veterans.
The Andrew Freedman home has four-stories with formal English gardens and well-manicured lawns, public rooms with fireplaces and rugs, and each private residence had white marble shower stalls.
In 1992, the Andrew Freedman home was designated as a New York City landmark. Today it serves as a hub for artists, organizations, residencies, exhibitions, daycare center and event space, with works that address themes like immigration and memory.
Historical Ties
André Trenier and Words by Moe are both South Bronx residents, whose works are relevant to their immediate communities.
André Trenier grew up in the Bronx where he” lived to create”, and began painting murals in 2003. Since 2013 André has painted several dozen murals in the Bronx and beyond, including a 150- foot wall on the side of Spring Bank on 167 St and Gerard Avenue, commissioned by the Bronx Museum. He has depicted baseball legends like Jackie Robinson (Babe Ruth), Derek Jeter, Roberto Clemente, Joe DiMaggio and Thurman Munson. His renderings of the great Muhammad Ali, his portrait of rapper Sean Price, Citibike mural at Word of Life In’l have all garnered acclaim.
Words By Moe is a South Bronx artiste with West African roots. He writes on various subjects dealing with grace, truth and love. His 2024 debut album Big Time! offers original writings with an easy flow delivery of poignant and inspirational messages that are relevant to today’s living. As his work takes root, he continues to attract listeners and readers from different corners of the globe.
The artistic contributions of these three who have the South Bronx in common, highlights the significance of conversations that bridges the gap between historical figures like Andrew Freedman and contemporary artists like André Trenier and Words by Moe. It celebrates their overall contributions to the history, music, culture and art scene.
PHOTOS BY Africa-Related
Photos by Africa-Related
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Q&A With WORDS BY MOE On New Album BiG TIME!
INTERVIEW with WORDS BY MOE BY Africa-Related
Words By MOE
est. 1999
“Words are still powerful, and the right word at the right time is still very valuable”
This week, we share the work of Words By MOE, a self-styled inspirational writer and Spoken Word artist whose writings are reminiscent of scribes of old. His mastery of language, expert use of words, not to mention captivating delivery; have resulted in his 23-track debut album, titled BiG TIME!
Words play a central theme on the album, touching on various subject matters from life to faith and love. The sound is crisp and fresh, backed by multiple genres of music - from Hip Hop, Reggae to traditional African flute and drums. BiG Time delivers an array of richly blended sounds that drive home the lyrically-endowed artist's thought-provoking messages.
The album was jointly produced in New York and Jos, Nigeria by Africa-Related and Deep Waters Studios. It includes some collaborative work like ‘Bringing Back The Mic', a tribute to the late Gospel Hip Hop icon B-Elect featuring Minista Busta.
“The purpose is to encourage, build up and inspire others on this journey of Life.”
Q: You have two back-to-back projects coming up in August and September 2024. Could you speak to them individually on the inspiration and purpose behind Big Time Album and book, Spiritually Intact vol 1?
A: Honestly, this whole thing with the music is my wife’s idea.. so projects wise she’s the visionary. As for inspiration, all I do is write, and the motivation behind my expression stems from my love for the Word of Truth. The purpose is to encourage, build up and inspire others on this journey of Life.
Q: Which of the tracks in Big Time stands out to you the most and why?
A: The title track, Big Time.. It’s a piece that makes plain what’s required on our part to recognize what is past, so that we can realize our future; in order to be able to truly put things in perspective as far as priorities go, in our lives.
Q: The album contains 23 tracks backed by various music genres. Could you elaborate on your musical influences?
A: While I do appreciate a variety of musical sounds, I grew up influenced mainly by the ‘boom bap’, there’s something about that baseline that just got me as a kid, listening to a lot of hip hop, plus all the color, the styles and creativity, it was amazing at the time, not to mention ‘fresh’.
Q: SI volume one shows the beginnings of your writing? How would you say it has since evolved?
A: Honestly, I'm not so sure how much evolution there’s been, other than a sense of refinement perhaps and maybe more directness when it comes to elaborating on a particular subject. Both of which I attribute to maturity, as a student of the WORD.
Q: What is the importance of words, as a means of expression in today's world?
A: Still very important, as far as communicating goes; even though the way we relate these days is slightly different from last century. Words are still powerful, and the right word at the right time is still very valuable.
Q: You have been writing since 1999, and only just sharing your materials with the world. What would you attribute to this gap?
A: Time and chance, situation and circumstance. Up till now, I suppose I was okay sharing with a few people, until my wife decided it was time to share with the rest of the world.
Q: Your faith plays a key role in your overall outlook. How have you managed to sustain that since 1995, and what would you say to anyone who has lost faith.
A: Honestly, it’s the grace of The Almighty, abiding in the WORD, and learning a whole lot about Love. I might not be in a position to console a person who’s turned away, but I do believe that He doesn’t turn us away from coming to Him. So no matter what, never give up.
Q: What are thoughts to share about your connection to these two countries - Nigeria and the United States?
A: Just grateful for the opportunity to experience what life is like in different cultural contexts. Very interesting indeed, despite challenges on both sides.
Q: What future plans for your writing?
A: Same as always, just keep writing.
Q: What influences have shaped your writings over the years.
A: The Scriptures primarily, but also C.S. Lewis, Martin Luther King Jr., Frederick Douglass, J. B. Phillips… to name a few.
Q: You did some collaborative work on this album, and your love for Hip Hop is evident with the track Bringing Back The Mic (BBTM), which is a tribute to the iconic artist B-Elect. Could you speak on this?
A: Actually BBTM was written as a tribute to B on Jan 25, 2011. So when I was called upon to contribute to His memorial earlier this year, the piece instantly came to mind; thus the input.
Q: Your work was featured in the biographical documentary DELA:The Making of El Anatsui. What did you take out of working on that project?
A: Knowledge is what I took out, and gained a lot of it. I was fortunate to have a behind the scenes perspective and learn a thing or two about film making, which is no light task, plus the amount of patience, foresight and dedication required. So grateful for the exposure and experience.
Q: Do you have any closing thoughts?
A: None other than expressing my gratitude to GOD for making all this possible.
Thank you for your time.
Previous work by the artist
“I might not be in a position to console a person who’s turned away, but I do believe that He doesn’t turn us away from coming to Him. So no matter what, never give up.”
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Collaborators include Charles “DCharlie” Dapwadta, Uchenna “Minista Busta” Ohagwu, Inya, Raymond Noel “RayN” Ehusani, Esther Nyam, Suberu Mathew, Alex Raphael. Deep-Waters Production, Africa-Related Inc., Maurice E. Okereke, Oyiza Adaba, @akatah Isaac and Bonx muralist André Trenier @andre.trenier.
iREPRESENT International Documentary Film Festival 2024
iREP 2024, the 14th edition of the annual ritual, will feature conversations, screenings, workshops, networking sessions, and other related activities. Over 45 films are expected to be screened at the two venues hosting the festival this year vis: Freedom Park, 1 Hospital Road, Lagos Island, and Alliance Francaise, Mike Adenuga Centre, Ikoyi.
iREP2024 || PLENARY SESSIONS || RIGHTING THE FUTURE
https://www.youtube.com/watch?v=NBigPVzEoBY
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BOBI WINE Documentary Screens at The Whitby New York
Following its world premiere at the Venice Film Festival, and North American debut at the Telluride Film Festival, Bobi Wine: The People’s President screened to a select audience at The Whitby in New York City
Following its world premiere at the Venice Film Festival, and North American debut at the Telluride Film Festival, Bobi Wine: The People’s President screened to a select audience at The Whitby in New York City
Oyiza Adaba, New York
Bobi Wine taking a bow
Full House at Bobi Wine Screening. Moderator David Fear of Rolling Stone Magazine, Robert ‘Bobi Wine’ Kyagulanyi, Barbara ‘Barbie’ Kyagulanyi, co-Director Moses Bwayo.
Multiple award winning documentary film Bobi Wine - The People's President screened at The Whitby New York on December 6, 2023. The screening was hosted by National Geographic and featured the famed musician turned-politician Robert ‘Bobi Wine’ Kyagulanyi, his wife Barbara ‘Barbie’ Kyagulanyi, co-Director Moses Bwayo; with the Q&A moderated by David Fear of Rolling Stone Magazine.
Oscar-winner John Battsek produced, while Moses Bwayo and Christopher Sharp directed the documentary which was among the 17 feature-length documentaries shortlisted for this year’s 39th IDA Documentary Awards. It won the prestigious best feature award on December 12, 2023.
Q & A Session of a story democracy, freedom and love. Video: Africa-Related
The film, which was acquired by National Geographic Documentary Films, is now streaming on Hulu and Disney+, and is free on Youtube for people living on the African continent. In a chat with AR Report, Nat Geo said the move was necessary in order bring equal viewing access to underserved communities globally. It further reaffirms its commitment to “bringing the world premium documentaries that cover timely, provocative and globally relevant stories from the very best documentary filmmakers in the world.”
Photos by Africa-Related
KHALIL GIBRAN - A Greater Beauty in Words and Drawings
The name Khalil Gibran usually sparks a conversation about his popular 1923 book, The Prophet, but this world renowned Lebanese American author is also known as a powerful artist, poet and essayist.
Welcoming Picture at The Drawing Center New York. The famous photo with a book taken in 1839 of the young Lebanese immigrant Kahlil Gibran at age 14, by F Holland Day who funded and guided his education.
By Oyiza Adaba
Africa-Related New York
An Exhibition
July 11 - September 10 2023
The name Khalil Gibran usually sparks a conversation about his popular 1923 book, The Prophet, but this world renowned Lebanese American author is also known as a powerful artist, poet and essayist. A Greater Beauty: The Drawings of Kahlil Gibran is an exhibition which features over one hundred of his works, and coincides with the 100th anniversary of this world-renowned publication.
Five artists came together to celebrate the art of Khalil Gibran at the The Drawing Center, where a collection of his drawings, writings and poetry are currently exhibiting.
Readings from various writings of poetry by Arab and Arab American artists like Nuar Alsadir, the poet and nonfiction writer who has authored books like “Animal Joy”, and Adam Bakri, a celebrated Palestinian actor and son of a prominent actor who has starred with Keira Knightley in “Official Secrets” and is unforgettable in his compelling performance in the film Omar. Mona Kareem has written three poetry collections, and her works have been translated into nine languages. She is the recipient of several awards including the 2021 National Endowment Grant.
Palestinian-American writer performance artist Fargo Nassim Tbakhi also featured with his provoking pieces, while the award winning Syrian-born New-York-based rapper and spoken word artist Omar Offendum closed out the show with a powerful rendition from his critically acclaimed theatrical performance titled Little Syria. Influenced by the work of Gibran and the Arab light writers, Offendum engaged the audience in a sing along, weaving Gibran’s poems together with his own musical repertoire.
Omar Offendum - The result was a spiritual evening - not in a religious sense, but in a deeply personal interpretation and presentation of Gibran’s works by participating artists.
Curating Conflicts
Curator Claire Gilman delivering her opening remarks
In her opening remarks, lead curator Claire Gilman touched on the conflicts Gibran faced in his life, which caused him to be described as a non sectarian mystic, self oriented writer and visual artist with a foot in both Arab and Euro American culture. He was a proud Arab, Maronite Christian, a Syrian patriot who wrote in English and Arabic, and he continued to be outspoken with his support for great Syrian and pan Arab states until his death on April 10, 1931.
He came to America as a political refugee, and the conflicts that he faced settling into this new world, reflected so deeply in his writings and his works. According to their essay, Gilman and her co-curators, scholar Nika Lanson, Joseph Geagea, Director of the Gibran Museum in Bsharri, Lebanon, alongside three other contemporary artists, explored Gibran’s search for universal truths that transcends cultural religious boundaries, his rejection of modernism for a uniquely egalitarian Universalist aesthetic, his deep investment in the political issues of the day, and his acutely felt responsibility to the homeland while making his way as an immigrant into a new world.
THE PROPHET
by Khalil Gibran
First Publication: 1923
Translations: 100 languages
Sold: 10 million copies worldwide
Artist from Israel Yifat Bazelel sits in front of The Drawing Center, New York
NY-based Sculptor & Designer Ogundipe Fayomi listens intently inside The Drawing Center.
Danielle Aldouby - Art instructor at Columbia University Teachers College leaving the The Drawing Center
The Drawing Center has been a New York City staple for over five decades. It put together this ambitious scale exhibition with several partnerships such as Dominique Levy and the Andy Warhol Foundation for visual arts and several others.
Khalil Gibran the popular poet who wrote the classic book The Prophet in 1923 that is popularly used in wedding vows, but did you know he was also a visual artist known for his signature use of bright sky blue water colors?
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Khalil Gibran the popular poet who wrote the classic book The Prophet in 1923 that is popularly used in wedding vows, but did you know he was also a visual artist known for his signature use of bright sky blue water colors? 〰️
Photos by Africa-Related
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Fela Kuti And His Politics
Fela Kuti was one of the most significant musical icons in the history of black music. Born on September 21, 1938, Fela grew up during a time of change in Africa. After colonial rule by European nations ended and independence was achieved, the country’s new leaders began asserting a socialist economic system that critics claim caused widespread poverty and corruption.
FELA: The Funky Jazz Man
He created Afrobeat by fusing traditional West African talking drums with American funk, jazz, and soul.
By Fortune Ehiwayas
FELA: The Funky Jazz Man
Fela Kuti was one of the most significant musical icons in the history of black music. Born on September 21, 1938, Fela grew up during a time of change in Africa. After colonial rule by European nations ended and independence was achieved, the country’s new leaders began asserting a socialist economic system that critics claim caused widespread poverty and corruption.
Such injustices inspired Fela to speak out against his native country’s government and provide hope for Africans who felt despair at social ills like famine, poverty, and a lack of education. Although many know about his political activism, few are aware of his prodigious musical talent as well as his innovative contributions to Afrobeat music that have influenced international musicians such as Michael Jackson and Bob Marley.
Fela was born in Abeokuta, Nigeria, where his father was a famous Nigerian barrister and champion for human rights. As a child, Fela took great interest in both his mother’s speeches and his father’s legal work. Although he received a degree in accounting, Fela began playing music at night while working during the day. He formed The Koola Lobitos before founding an Afrobeat band that came to be known as The Africa 70, which also included his wife at the time, Remi (Remigius) Cardoso, whom he met when she was traveling back to Nigeria from abroad.
Although Fela was not the first African musician to incorporate jazz into his music, he was one of the first to create a new sound called Afrobeat by fusing traditional West African talking drums with American funk, jazz, and soul. His version of Afrobeat music provided hope for Africans struggling under their government’s corruption, as he openly criticized officials in many of his songs.
Fela Kuti & Africa 70 - Pansa Pansa 1/2 (Berlin 1978)
He strongly believed that the politicians and military leaders in Africa were taking advantage of low-income families, and their hope for political change led to his involvement with the Koola Lobitos, a group that played jazz at nightclubs around Nigeria.
In 1960, Fela and his group The Koola Lobitos began playing a mixture of indigenous rhythms and jazz with heavy influence from American soul music in Lagos nightclubs. They were also involved in extracurricular activities like union organizing against the Nigerian police force as well as organizing food drives for students and poor citizens. He was arrested once for performing "Alagbon Close" ("Agbon Close") in 1962 about government corruption.
FELA! on Broadway was a theatrical musical biopic that successfully toured globally
Fela Ransome-Kuti And Africa ’70 with Ginger Baker - Live! (1971) full Album
ROXANNE SHANTE Leads Women Honored By HIP HOP MUSEUM
To celebrate the 50th anniversary of Hip Hop and in honor of International Women's Day, the Universal Hip Hop Museum held an exhibition titled [R]Evolution of Hip Hop “Golden Era” 1986-1990s.
OYIZA ADABA Africa-Related, NEW YORK
In celebration of the 50th anniversary of Hip Hop and International Women's Day
UHHM Front Bronx Point Render | Photo by UHHM
To celebrate the 50th anniversary of Hip Hop and in honor of International Women's Day, the Universal Hip Hop Museum held an exhibition titled [R]Evolution of Hip Hop “Golden Era” 1986-1990s.
The South Bronx is the birthplace of this music genre that spread globally from a basement party in 1973. It has since evolved, creating sub genres of Hip Hop culture, and represented in most countries today.
International Women's Day
To mark International Women's Day, the museum honored women in Hip Hop including Roxanne Shanté, the first female battle rapper and catalyst of the 'Roxanne Wars'. She spoke candidly on the recognition and sacrifices female Hip Hop artists have made for the genre to firmly take root.
Shanté was in the good company of five other women of Hip Hop. Cindy Campbell, the graffiti artist of the 'Back To School Party' fame, Sylvia Robinson of Sugar Hill Records, who is known as the Mother of Hip Hop; MC Sha Rock the first female emcee, Sparky D, a pioneer female emcee; and lastly Lady Pink, a pioneer female graffiti artist.
Carlifonia-based visual artist The D.o.T. aka Dorothy Wilson donated a series of portraits entitled UHHM Hip Hop Flowers Volume 1, celebrating iconic women in Hip Hop culture to the museum's permanent collection. She made a personal presentation to Roxanne Shanté at the event.
Giant Boombox interior | Photo by UHHM
According to the museum, the five elements of Hip Hop are DJ, which is the mixing of the music, emceeing, which is rapping - the vocal elements of Hip Hop; breakdancing which is the dance form of Hip Hop. Graffiti, a visual form of expression, is the fourth element; the fifth and sometimes forgotten element is knowledge - the education part of Hip-hop.
UHHM Lobby Render | Photo by UHHM
The “Golden Era” Exhibition
The UHHM’s current ongoing [R]Evolution of Hip Hop exhibition, the “Golden Era” 1986-1990 is located at the Bronx Terminal Market at 610 Exterior St. The permanent museum will open to the public in 2024.
The exhibition’s artifacts and memorabilia were curated by Paradise Gray, who used archival materials, storytelling, music etc from the streets and clubs of New York to the suburban neighborhoods of Compton. It highlights the lyrical skills of artists like Rakeem, Kool G Rap, Big Daddy Kane and others that transformed the definition of emceeing; and features the likes of Whodini, Beastie Boys and Run DMC who established rap, making it more marketable leading to the MTV Raps era.
To take this immersive journey through Hip Hop history, tickets are available online at uhmm.org
Photos By Africa-Related
For more on this topic, watch the full episode on Season 3 of Messengers - Coming soon.
NOTE TO PUBLISHERS: Please credit source
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KOFO WONDER! Live @ Freedom Park
Multi-talented Kofo Wonder performs at Freedom Park, Lagos on August 28, 2021
Africa-Related New York
If you are in Lagos on Sunday August 28th and every last Sunday of the month, don't miss a chance to see the multi-talented Kofo Wonder + The Daylight Stars!
PHOTOS: Kofo Wonder & The Daylight Stars on MESSENGERS at Zinc Bar NYC (2008)
Music that moves! Watch Kofo Wonder bring the talking drum to life!
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2022 GLOBAL CITIZEN FESTIVAL: ACT NOW!
The Lineup for the 2022 Global Citizen Festival has been announced. It will take place in New York and Accra Ghana on September 24, 2022
Words: Oyiza Adaba
Africa-Related New York
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ACT NOW!
Listen to the Message in the Music…World Leaders Told
Advocacy is at the core of the 2022 Global Citizens Festival. Bearing that message to world leaders, corporations and citizens, is an impressive lineup of performers across different musical genres. The message is this:
Amply voices of Girls
Tackle Global Food Crisis
Address Financial Imbalance of Climate Change
Provide Debt Relief
It is a call that would be heard from the historic Black Star Square in Accra, Ghana to Central Park New York, where performances would run concurrently on September 24, 2022.
The U.S lineup include Metallica, Mariah Carey, Jonas Brothers, while Usher, SZA, Stormzy, Gyakie, H.E.R., Sarkodie, Stonebwoy, and TEMS will perform in Ghana, to celebrate the country’s 65th independence anniversary and the 20th anniversary of the African Union.
Learn more about the upcoming festival and how you can get involved.
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MRS. JOSEPHINE BONGOS-IKWUE Mourning A Generous Giver
Bongos Ikwue’s wife Mrs. Josephine Ifeyinwa Bongos-Ikwue passes on
Words: Oyiza Adaba
Photos: Africa-Related
Otukpo, Benue State Nigeria
1949-2022
Bongos Ikwue’s wife Mrs. Josephine Ifeyinwa Bongos-Ikwue passes on.
The death has been announced of Mrs. Josephine Bongos-Ikwue - Wife, Mother, Sister, Aunt, Friend and Church/Community Leader.
Her sweet, gentle and reserved soul was the inspiration behind the creator of some of the most iconic tunes that defined Nigeria's music eras of the late 70s and 80s.
Riding High, Still Searching, Amen, What's Gonna Be, Cock Crow At Dawn etc were songs written, produced and released during her over 50-year marriage to beloved musician husband, Bongos Ikwue.
A devout Christian, she showed care for all without favour and demonstrated it through her prison ministry visits and other charitable activities. Though she originally hailed from Issele Ukwu in Delta State, she was adopted by Benue, and firmly believed in one Nigeria.
She gave selflessly to her family, church, Otukpo, Isle Ukwu, Nigeria and the world at large. is greatly missed by all of us, especially her husband and children Keke, Omei, Jessica, Onyew and JR.
Mrs. Josephine was an extra special friend and mother to us at Africa-Related; hosting us twice at their tastefully built Double K Resort in Otukpo. Our first visit was in 2008 during production of Messengers season one, which featured Bongos Ikwue. The second was a partnership that hosted the Bikers Convention delegates to an exclusive lunch and concert in 2009. Her motherly care was evident throughout.
Rest in Peace Generous Giver.
The funeral arrangements are above. If you would like to make a financial contribution or support the family with your tributes, flowers, photos, etc please visit the link below for more details.
THE BONGOS-IKWUE FAMILY
Shots from Bikers Convention with Bongos Ikwue in Otukpo (Africa-Related/2009)
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Report: Bikers Convention with Bongos Ikwue in Otukpo (Africa-Related/2009)
Messengers TV Series
Oyiza Adaba is a journalist & producer @africarelated
ORLANDO JULIUS IS LAID TO REST
Nigeria's Foremost Saxophonist Sir Orlando Julius Exits In A Colourful/Musical Ceremony
Nigeria's Foremost Saxophonist Sir Orlando Julius Exits In A Colourful/Musical Ceremony
Ijebu-Jesa, Osun State Nigeria
Words: Oyiza Adaba
Photos: Dede Mabiaku/Africa-Related
Orlando Julius Aremu Olusanya Ekemode, known professionally as Orlando Julius or Orlando Julius Ekemode was a Nigerian saxophonist, singer, bandleader, and songwriter closely associated with afrobeat music.
The multi-instrumentalist - who as worked with everyone from Louis Armstrong, Lijadu Sisters, Fela Kuti, Herbie Hancock, Grover Washington Jr., Hugh Masekela etc - passed in his sleep on April 15, 2022 at the age of 78.
His devoted wife Aduke Latoya Ekemode remained ALWAYS by his side.
Read more about his rich life, legacy and his contributions to adding definitions to the music genres that we know today as Afrobeat, Highlife and Afro-Soul.
https://en.m.wikipedia.org/wiki/Orlando_Julius
REST in POWER!
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Steel Pulse @ Brooklyn Bowl NY December 2019
The Legendary Steele Pulse perform live @ Brooklyn Bowl NY
“Life without music?
I can’t go on...”
— Steele Pulse ‘Roller Skates’
By Oyiza Adaba | Africa-Related New York
The Legendary multi-academy award winning Reggae band performed at the Brooklyn Bowl New York on December 27-28 2019. The show also featured artists like The Lagond Allstars and DJ JAH Culture.
Artist Info
Bearing witness to the accelerating negativity of global affairs, UK reggae legends, Steel Pulse, emerge with musical vengeance to halt the disarray of humanity. The forthcoming album, Mass Manipulation, set for early 2019 release (Rootfire Cooperative / Wiseman Doctrine), reflects four decades of bettering mankind through music. The debut single “Stop You Coming And Come” features ancient melodies paired with catchy lyrics, transporting the mind to a period of time where secrets of an African dynasty are unmasked. As reggae revolutionaries, Steel Pulse is revered by the younger generation of artists and remains a powerhouse on stages around the globe. Through the example of Mass Manipulation, Steel Pulse demonstrates the endless possibilities that come from breaking down the walls of systemic greed, and nurturing the fellowship of mankind.
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ALBUM REVIEW: "Asoju Oba" by AYETORO
Asoju Oba is the first Ep from the third in the Afrobeat Chronicles series by Ayetoro - the internationally acclaimed Afrojazz collective led by one of Nigeria's most talented composers and pianists Funsho Ogundipe.
ASOJU OBA- Album Cover
By Athene Oveh, Lagos
originally published in TARUWA MAGAZINE
Music Review: ‘Asoju Oba’ by AYETORO
Ayetoro is an internationally acclaimed Afrojazz collective led by one of Nigeria's most talented composers and pianists Funsho Ogundipe.
Ayetoro was formed by Nigerian Pianist, Composer and Music Director, Funsho Ogundipe. It straddles both the Afrobeat and Jazz worlds equally creating a sound which draws energy from the highly percussive Afrobeat keeping music lovers excited with its intensity. A global band which exists in different forms in different places, the creative sounds evolve constantly under Ogundipe’s direction to create different versions in Lagos, London and Accra.
With this, the third international release and coming on the heels of the critically acclaimed Omo Obokun Afrobeat Chronicles Ayetoro take Afrobeat into modern territory with Soul and Hip Hop added to the rich brew of Afrofuturistic Jazz and Afrobeats.
Asoju Oba is the first Ep from the third in the Afrobeat Chronicles series. It features all three versions of the group and was recorded in Accra Lagos and London.
The album in the Afrobeat Chronicles series. Featuring the cream of African and Diasporic talent this EP introduces Lady Jay from Ghana who sings lead vocals on Baba Don Go, a tribute to Fela Anikulapo Kuti. Other talents featured from the Hip Hop camp include Lagos based producer and rapper Hakeem Yesufu aka Mendo and Akinyemi Ogundipe aka Skillz a young Lagos based Rapper.
Who both feature on 'Seeds in the Pod' a Hip hop meets Afrobeat Jazz like joint. Its diminished chords and minor scales provide a platform for some deep Jazz/Rap inspired by the Sufi Poetry of India's Ibn al Arabi.
The Jazz heavyweights are still flexing their improvisational skills. Music muscles as Music Director Composer Funsho Ogundipe on Piano and Keys and Trumpeter Byron Wallen and Clarinetist Shabaka Hutchings illuminate the album with entrancing colours.
Asoju Oba is an imagining of what Afrobeat would sound like in the hands of the great Thelonious Monk. It's a funky dance floor number with sax and piano solos and a free Jazz outro.
Its cover is a collaborative work involving Prila Paiva, a Brazilian artist who is steeped in African culture. It is an esoteric representation of an Ifa story. The new album is titled Asoju Oba, which roughly means the King's eyes. It is inspired by the writings of the Brazilian author Jorge Amado who exposed Yoruba culture to the Portuguese speaking world.
Official. 'Asoju Oba' Ayetoro's new EP available online as digital download
http://itunes.apple.com/us/artist/ayetoro/id78713249
Ayetoro EPK
music . videos . photos . news . calendar
http://www.sonicbids.com/ayetoro
- Taruwa Magazine
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AYETORO INTERVIEW FOR AYAKA ONLINE
Ayetoro is an internationally acclaimed Afrojazz collective led by one of Nigeria's most talented composers and pianists Funsho Ogundipe. Ayakaonline sat down with the longtime Music Director.
Ayetoro is an internationally acclaimed Afrojazz collective led by one of Nigeria's most talented composers and pianists Funsho Ogundipe .Photo by Numero Unoma.
originally published in ayaka online
February 28, 2012
AYETORO INTERVIEW FOR AYAKA ONLINE
1. Ayetoro is often mistaken for the town with a similar name. What prompted you to name the band Ayetoro
A. The name conjures a vision of order. After chaos order is a mathematical possibility. With order peace has a chance. So the name represents to the band an ordered world of peace. Directly translated, it means a world of peace/order.
2. Describe Ayetoro’s music and bran
A. The band was formed in 1996 in Nigeria. Our first album Naija Blues featured Segun Arinze, the late J T West, Shadrack John and a host of other guest artists. I then relocated to the UK. In London, together with music talents such Byron Wallen the trumpeter, guitar player Jim Mulle, bass player Orefo Orakwue etc, Ayetoro performed at live shows across the UK. In 2007, we formed Ayetoro Ghana with an equally talented group of musicians such as bassist Phillip Acquah, drummer C C Frank. Our producer engineer Panji Anoff lives and works from out of Accra. What you hear now is the new Ayetoro in Nigeria which was formed when I came back in 2010. The journey has been remarkable playing alongside respected talented musicians worldwide. The one constant about Ayetoro is that it has been and remains open to musicians that understand the music and bring a certain level of quality and creativity to it. Asa toured with us, the legendary guitarist Oscar Ellimbi and bass player Falna King both from Cameroon played in the first edition of Ayetoro in Lagos. Today’s Ayetoro is experimenting with music genres such as Rap, Poetry, Neo Soul and Blues. What remains unchanged is the quality of our music. There are no compromises there. The brand is rooted in tradition yet very modern.
3. Which of your songs leave a vivid memory whether it the writing or performance?
A. Recording and mixing the Afrobeat Chronicles Vol 1 album in a day. No overdubs or editing and no time for multiple takes . Such a challenge but the band rose to the task magnificently.
4. Although you're not mainstream, it's been 16 years of sheer musical genius as seen in the quality of your work, but do you think you've broken trough in Nigeria yet. Do you feel any sense of acceptance by Nigerians yet?
A. Nigeria is what it is. We live we love we cry and we never say never. Afrobeat or Jazz is underground music nationwide so we put everything in its proper place.
5. Culturally what is the significance of the traditional symbols and Yoruba language we see and hear all over Ayetoro's works?
A. Our culture is the basis for everything we do. It is the same for those who hold the scroll in the right hand. The Yoruba possess a magnificent artistic tradition. We are only carrying on in that tradition as we are based in that cultural area in Nigeria.
6. Ayetoro's new single Asoju Oba just dropped online. Can you explain the album, artwork and the people that worked with you on it?
A. Asoju Oba roughly translates into The kings observer. It marks the beginning of a conceptual series of albums featuring contemporary art. The album is our homage to the deep cultural ties between Bahia in Brasil and the Yorubas in Nigeria Benin Togo and Ghana. The title is inspired by a character Oju Oba in the book Tent of Miracles by Brazilian author Jorge Amado. It features three tracks which showcase the different ayetoro bands.
Baba don go is a tribute to Fela Kuti. With Lady Jay from Ghana and Skillz from Nigeria on spoken word. Solos are by Byron Wallen and Shabakka Hutchings in the UK.
Asoju Oba is an instrumental feature.
Seeds in the Pod/Love is my Religion is where Afrobeat meets conscious Hip Hop and guest stars Mendo with Caroline Fusi singing the hook. I take piano solos. The artwork was created by the Brazilian artist Prila Paiva from Sao Paulo. Seeds in the Pod is inspired by the Sufi poetry of Abu Bakr Ibn al Arabi especially love is my religion.
Technically we collaborated with Panji Anoff of Pidgen Music Ghana who is in charge of our technical side. The tracks were recorded at Alpha Junes (Lagos), Livingstone Studios (London) and Pidgen (Accra) and mastered by Sonny at Spare Dougal (London).
7. Where can we find the album and is there a plan for a launch in Nigeria?
A. Currently the album is available as a digital download on iTunes. The address is: http://itunes.apple.com/us/artist/ayetoro/id7871324. Then it will be available on cd and as a 12inch vinyl record in Nigeria in April 2012. Fans can like Ayetoro Live on Facebook and our official page is www.myspace.com/ayetoro
8. Are you looking for any future collaborations with any artists (Nigeria or international)? Who?
Watch this space!
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Photos: Kofo the Wonderman & The Daylight Stars @ ZINC Bar NYC
Multi-talented Kofo Wonder performs at Freedom Park, Lagos
By Oyiza Adaba | Photos: Africa-Related New York
Kofo Wonder & The Daylight Stars at Zinc Bar NYC (Photos: Africa-Related/2008)
Our crew spent a wonderful evening with Kofo the Wonderman & The Daylight Stars taping our TV series MESSENGERS at Zinc Bar NYC.
PHOTOS
