+234Art Fair Holds First Edition In Lagos
There is a brand-new Nigerian art fair dedicated to supporting emerging artists that is coming up in Lagos from 22nd to 31st March, 2024. +234Art Fair is dedicated to nurturing and uplifting the burgeoning art industry in Nigeria by providing a platform that supports emerging artists and encourages art acquisition.
+234Art Fair is dedicated to nurturing and uplifting the burgeoning art industry
There is a brand-new Nigerian art fair dedicated to supporting emerging artists that is coming up in Lagos. It’s called the +234 Art Fair and will run from 22nd to 31st March, 2024.
+234Art Fair is dedicated to nurturing and uplifting the burgeoning art industry in Nigeria by providing a platform that supports emerging artists and encourages increased interest in art acquisition, thereby contributing to the growth and prosperity of the local art sector as well as its international recognition.
The 2024 theme for the +234 Art Fair is “Heritage”, aimed at young artists to explore ways in which they can build practices that tie to the past but also create new futures. The fair seeks to explore the development of young artists in order to give inspiration and insight on how the creation of an indigenous style contributes to global reach and success.
The Venue for the Fair is the new Ecobank Pan-African Centre, Ozumba Mbadiwe Avenue, Victoria Island, Lagos. The programme of events include Masterclasses that will treat subjects such as African Art in the Global Art Market, The Business of Photography, Bridging Time: Connecting Heritage and Modernity in Nigerian Art, How to Navigate the International Art Scene as a Local Artist, Artistic Research, Grant Writing, Navigating Biennales and Museums in Contemporary Art
Panelists include Florence Lynch, a New York-based art dealer, Alain Ngann a photographer artist, Kelechi Amadi-Obi, a Nigerian creative photographer, Oluwatoyin Sogbesan an architect, a cultural historian, Jess Castellote, the Director of the Yemisi Shyllon Museum of Art; and many more
The exhibition’s title, “+234Art,” cleverly merges Nigeria’s country calling code (+234) with the encompassing term “Art,” serving as an all-encompassing representation of the contemporary Nigerian art scene and its interconnectedness with the broader African and global art community. This free-entry fair offers an immersive showcase of painting, photography, and sculpture, providing the public with an upclose look at the latest creative endeavours of emerging artists and photographers in Nigeria.
For more info on +234 Art Fair
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EL ANATSUI Marks His Undeniable Legacy At 80
Family Patriarch, Global Icon, Sculptor Extraordinaire, son of Ghana and a most Remarkable Human Being, Emeritus Prof. El Anatsui, marked eighty years of his lifetime on earth on Sunday, 4th February 2024 at Kwame Nkrumah Museum Accra, Ghana.
By oyiza adaba
Africa-related, accra ghana
EL@80 Logo
EL ANATSUI LEGACY 80
An Exclusive Evening of
Discourse Dinner Music
February 4, 2024
Family Patriarch, Global Icon, Sculptor Extraordinaire, son of Ghana and a most Remarkable Human Being, Emeritus Prof. El Anatsui, marked eighty years of his lifetime on earth on Sunday, 4th February 2024 at Kwame Nkrumah Museum Accra, Ghana.
El Anatsui’s Legacy is all about what he stands for, and the milestone was celebrated in a two-part series of events that included an interactive discourse with an engaging panel titled, “Exploring Nigeria/Ghana Relations and What Unites More Than Divides Us As A People”. Having, stood at this same crossroads, El Anatsui has remained a formidable bridge between these two counties for eight decades.
Following this, friends, colleagues and family from near and wide attended the invitation-only exclusive dinner and live music performance, that featured a mouth-watering dinner, gift presentations of many kinds, and performances by select artists including Ghana’s female Jazz ensemble The Lipstik Queens, Tema Senior High School Choir and Anyako Cultural Troupe, and Afrobeat Sensation Dede Mabiaku & Kalafika Band.
The evening’s highlight was when the celebrant was conferred upon, the title of Torgbui Kekeli I of Anyako Woeto (‘beacon of light’), by the paramount chief Torgbui Tenge Dzokoto Gligui VII. This makes it Anatsui’s second traditional title since his 2017 conferment as the Ikedire of Nsukka ('power which is effective').
Other activities included a book unveiling titled “The World Celebrates El Anatsui @80” by a collective of esteemed academics from the University of Nigeria, Nsukka (UNN); with guided tours to Ghana’s educational and tourism landmarks such as Elmina Castle, the Kwame Nkrumah Museum, and University of Ghana.
El Anatsui is a contemporary artist from Ghana who singlehandedly redefined the meaning of sculptor and created a global art movement, from his four-decade stay in Nsukka, Nigeria. His works have graced prestigious art spaces worldwide, like the ongoing Hyundai Commission at Tate Modern. Learn more about a most remarkable human being from his upcoming biographical documentary DELA: The Making of El Anatsui.
El@80 Video Highlights
Photos by Africa-Related
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REVIEWS & HIGHLIGHTS: Screening of DELA: The Making of El Anatsui
On November 7 2023, the Biographical Documentary "DELA: The Making of El Anatsui" was screened during the 12th Anniversary Edition of the Africa International Film Festival (AFRIFF) in Lagos, Nigeria. Here are the highlights of the event.
By Fortune Ehiwayas, Lagos
Photo: Olumide Onafuwa
On November 7, 2023, "DELA: The Making of El Anatsui" screened at the recently concluded Africa International Film Festival (AFRIFF). Here are some highlights from the event.
“Beautiful, beautiful.. Simply amazing
”
The 12th edition of the Africa International Film Festival (AFRIFF), themed Indigenous 2.0 to Global was held in Lagos, Nigeria on November 5-11, 2023. Filmmakers from over 150 countries submitted their narrative features, short films, animations, and documentaries. The selected films were screened at FilmHouse Landmark in Victoria Island, with industry wigs in attendance.
First-time director Oyiza Adaba, founder of Africa-Related, member of NYWIFT, NYFPC and producer of TV series Messengers, traces the early life and career paths of El Anatsui - one of the most revered and iconic art figures from Africa with a global impact. Of the documentary, she said, “I wanted to tell a story in colours - a reflection of the spirit of both the subject and our continent.”
One of Executive Producers and Lagos-based lawyer, Mr. Olajide Bello and the editor Mr. Ayodele Banjo of TWPC, were both on hand to engage the audience in the Q & A session that followed the screening.
Attendees include academics from University of Lagos and Yale University, veteran actress Taiwo Ajai-Lycett, musician and saxophonist, Egypt 80’s Tajudeen ‘Baba Ani’ Animashaun, Jazz vocalist Yinka Davies, Genti Media’s Ojiugo Uche and Salma Uche-Okeke, daughter of Uche Okeke the Father of Modernist Art in Nigeria, who was also Anatsui’s employer at the University of Nigeria Nsukka (UNN) in 1976.
“I loved the way his story was told, taking away the political shenanigans and leaving the art. That is the beauty of it all
”
During the two-hour documentary, viewers were transported to various places of influence as seen in El Anatsui’s works - from his birth place in Anyako Ghana, to the locations where his art is displayed around the world.
Mrs. Salma Ifeoma Uche-Okeke expressed her immense pleasure from watching the “nostalgic” documentary and further touched on the sub-theme in the film, encouraging the young ones to maintain patience and character in whatever art they find pleasure; and hoped that more artists in Nigeria will enjoy this kind of exposure through film.
“... reflects the texture of both Africa and the global community”
About the Documentary
The biographical documentary chronicles the foundational influences of El Anatsui. From humble beginnings in Anyako Ghana, thus began an artistic journey that would redefine an art form, create a movement about art from Africa, and produce one of the greatest contemporary artists of our time.
The 2-hour documentary, which took 10 years to make was produced by Africa-Related, and directed by Nigerian journalist and producer Oyiza Adaba, in her directorial debut. The project is supported by Meridian Creative Centre, Jack Shainman Gallery NY, Faysal Khalil, Olajide Bello, Access Bank Ghana, 7-Up Bottling Company Nigeria.
Follow for updates - DELA: The Making of El Anatsui @elanatsuifilm
DELA: IN GLOBAL FILM FESTIVALS NOW
Book Presentation: BUT FOR GOD by Tom Adaba at LABAF 25th Edition
The 25th Edition of The Lagos Book & Art Festival (LABAF) holding at Lagos Freedom Park on November 13-19, 2023; promises to be a seven-day communal feast with top global literary giants.
Africa-related, new york
Book Cover: But For God by Aaze Tom Adaba. Published by Parrésia Publishers
The 25th Edition of The Lagos Book & Art Festival (LABAF) holding at Lagos Freedom Park on November 13-19, 2023; promises to be a seven-day communal feast with top global literary giants.
Tom Adaba Legacy Project invites you to a hybrid book presentation
CORA BOOK TREK 'The Joy of Reading' at Lagos Art & Book Festival (LABAF) presents the 2nd Edition Release of BUT FOR GOD by Aaze Tom Adaba (OON)
Date: Nov 18, 2023
Time: 05:00 PM (WAT)
Venue: CORA Library & Resource Centre, Freedom Park Lagos
Tom Adaba Zoom Link
Meeting ID: 893 8099 7152
Passcode: BFG
For more info visit www.tomadabalegacy.com
“This is a campaign for LITERACY with the aim of deepening EDUCATION, ENLIGHTENMENT and EMPOWERMENT – all in the cause of Nation-Building.”
LABAF 25.0
This 7-day extravaganza promises an immersive experience celebrating LIFE & IDEA through the instrumentality of the Arts. This is a campaign for LITERACY with the aim of deepening EDUCATION, ENLIGHTENMENT and EMPOWERMENT – all in the cause of Nation-Building. It's a communal feast not to be missed.
LABAF Zoom details:
Meeting ID: 83916542451
Passcode: LABAF25.0
Books featured at the 25th edition of LABAF 2023.
An Africa-Themed MET GALA? New Chief Mark Rollein Speaks
Max Hollein, Director and Chief Executive Officer of The Metropolitan Museum of Art New York, recently hosted members of The NY Foreign Press Center to a breakfast tour, and answered the burning question on every African fashionista’s mind.
By Oyiza Adaba, new york
The Met Fifth Avenue, New York. Photo Africa-Related
Max Hollein, Director and Chief Executive Officer of The Metropolitan Museum of Art New York, recently hosted members of The NY Foreign Press Center to a breakfast tour, and answered the burning question on every African fashionista’s mind.
Members of The NY Foreign Press Center at The MET briefing with Director Max Hollein. Photo Africa-Rleated
The Metropolitan Museum of Art, one of the United States’ leading cultural institutions which boasts “over 5,000 years of art from around the world for everyone to experience and enjoy”, recently gave an exclusive opportunity for members of the Foreign Press to sit down with its Director and Chief Executive Officer Max Hollein to learn their latest news from the Met.
In the Q&A session that followed his remarks, Mr Holllein provided insights on his vision for The Met’s future and the role of a universal museum in the 21st century, and updates on the museum’s priorities, including new cultural property initiatives; post-COVID attendance/revenue recovery; efforts to address issues of diversity, equity, inclusion, and access across themuseum’s collection, programming, and staff; the Museum’s $2B capital projects program, and a look ahead to upcoming exhibitions and events.
Questions from the international press centered around national interests and engagements opportunities, as well as reparations and returns of artworks with controversial aquisistion histories. Mr Hollein explained that The Met has doubled its efforts in protecting global heritage by streamlining its acquisition process with rigorous factchecking mechanisms that will serve both past and future purchases.
Max Rollein spekas on an Africa-themed MET Gala
THE MET GALA 2024
Theme: “Sleeping Beauties: Reawakening Fashion” Photo: Met Gala®
The Costume Institute Benefit, also known as The Met Gala®, will take place on May 6 2024. Sleeping Beauties: Reawakening Fashion is the 2024 theme that will explore notions of rebirth and renewal, using nature as a metaphor for the impermanence of fashion
Exhibition Dates: May 10–September 2, 2024
Exhibition Location: The Met Fifth Avenue, The Tisch Galleries, Gallery 899, Floor 2
“Over 5,000 years of art from around the world for everyone to experience and enjoy”
INSIDE THE METROPOLITAN MUSEUM OF ARTS
AFRIFF Selects Biographical Documentary DELA To Screen At 12th Edition
The Biographical Documentary "DELA: The Making of El Anatsui" has been selected to screen in the 12th Anniversary Edition of the Africa International Film Festival (AFRIFF). The screenings will take place in Lagos, Nigeria, scheduled to run from Nov. 5th-11th, 2023.
By Africa-related, new york
"DELA: The Making of El Anatsui" has been selected to screen in the 12th Anniversary Edition of the Africa International Film Festival (AFRIFF). The screenings will take place in Lagos, Nigeria, scheduled to run from Nov. 5th-11th, 2023.
“DELA”
AFRIFF SCREENING DATE
Tuesday Nov 7, 2023
2:30 - 5:30PM (WAT)
FILMHOUSE LANDMARK CENTRE, LAGOS
About the Documentary
The biographical documentary chronicles the foundational influences of El Anatsui. From humble beginnings in Anyako Ghana, thus began an artistic journey that would redefine an art form, create a movement about art from Africa, and produce one of the greatest contemporary artists of our time.
The 2-hour documentary, which took 10 years to make was produced by Africa-Related, and directed by Nigerian journalist and producer Oyiza Adaba, in her directorial debut. The project is supported by Meridian Creative Centre, Jack Shainman Gallery NY, Faysal Khalil, Olajide Bello, Access Bank Ghana, 7-Up Bottling Company Nigeria.
Follow for updates - DELA: The Making of El Anatsui @elanatsuifilm
screening schedule
El Anatsui visits MoMA
World renowned contemporary artist and sculptor El Anatsui visited the Museum of Modern Art (MoMA) in New York, where he was given a guided tour by MoMA curator and former student Ugochukwu Smooth Nzewi. He took in art exhibitions like "Emerging Ecologies", as well as others by artists like Mae-ling Lokko, Refik Anadol, and Ed Ruscha.
Africa-related, new york
Exhibition: “Emerging Ecologies” showing at MoMA NewYork
World renowned contemporary artist and sculptor El Anatsui visited the Museum of Modern Art (MoMA) in New York, where he was given a guided tour by MoMA curator and former student Ugochukwu Smooth Nzewi. He took in art exhibitions like "Emerging Ecologies", as well as others by artists like Mae-ling Lokko, Refik Anadol, and Ed Ruscha.
Video: El Anatsui @ MoMA by Africa-Related
EXHIBITIONS AT MOMA
THE MUSON CENTER - Akintola Williams' Parting Gift To Nigeria
The Musical Society of Nigeria Center otherwise called The MUSON Center, sits in Onikan Lagos and stands out as a cultural icon in the overall Nigeria art space. Mudiare Onobrakpeya reflects on the undeniable impact of its founder, Chief Akintola Williams at his funeral in Lagos. Thank you for The MUSON Center. Rest in peace Sir. From all art lovers and us at Africa-Related
The Musical Society of Nigeria Center otherwise called The MUSON Center, sits in Onikan Lagos and stands out as a cultural icon in the overall Nigeria art space. Mudiare Onobrakpeya reflects on the undeniable impact of its founder, Chief Akintola Williams at his funeral in Lagos. Thank you for The MUSON Center. Rest in peace Sir. From all art lovers and us at Africa-Related
By Mudiare Onobrakpeya
Prof. Bruce Onobrakpeya MNON signs the Condolence register of Mr. Anintola Williams. Photo by BOF
Renowned artist, Prof. Bruce Onobrakpeya MNON, made a solemn visit to the MUSON Center in Lagos. His purpose was to sign the Condolence register that had been opened to honor the memory of Mr. Anintola Williams, the founder of Muson and a distinguished patron of the arts.
Prof. Onobrakpeya, known for his contributions to the world of art, expressed his deep appreciation for the profound impact Mr. Williams had on the art community during his lifetime. As he carefully inscribed his name and heartfelt message in the register, he remembered the man who had been an unwavering supporter of the arts.
Mr. Williams had a unique ability to connect with artists and nurture their talents. He was not just a patron; he was a mentor and a friend. His warmth and generosity had touched the lives of many, including Prof. Onobrakpeya, who had shared countless conversations and artistic insights with him over the years.
As Prof. Onobrakpeya placed his signature on the page, he couldn't help but feel a sense of loss. Mr. Williams had been a guiding light, and his passing left a void in the art world that would be difficult to fill. But as he stood there surrounded by the beauty of the Muson Center, he knew that Mr. Williams' legacy would live on through the artists he had inspired and supported.
In that moment, amidst the somber atmosphere, Prof. Onobrakpeya found solace in the fact that the art community would continue to thrive, thanks to the enduring impact of Mr. Anintola Williams and his unwavering love for the arts.
SPIKE LEE Exhibits "A Collection That Could Fill The BROOKLYN MUSEUM"
And with those words, The Brooklyn Museum took on the challenge thrown by the legendary Spike Lee - to curate his life's works as filmmaker and cultural icon, in an exhibition themed "Creative Sources"
And with those words, The Brooklyn Museum took on the challenge thrown by the legendary Spike Lee - to curate his life's works as filmmaker and cultural icon, in an exhibition themed "Creative Sources"
by oyiza adaba, New York
Photos BY Africa-related
Filmmaker & Director Shelton Jackson "Spike" Lee, whose rich 40-year career produced unforgettable classic motion pictures like “Do the Right Thing”, “Jungle Fever” “Malcom X” and “4 Little Girls”. Photo from “Creative Sources” exhibition.
BROOKLYN MUSEUM
October 7, 2023 -February 4, 2024
The exhibition boasts over 350 works drawn from his personal collection, including atworks by prominent Black American artists, including Kehinde Wiley, Deborah Roberts, and Michael Ray Charles, displayed alongside instruments once owned by legendary musicians like Baba Olatunji and Prince. Historical and contemporary photographs, sports and movie memorabilia come together to reveal the connections among the people, places, and ideas that have fueled Spike Lee’s incisive and illustrious storytelling career.
Introduction to actress Rosie Perez in “Do The Right Thing” Video: “Creative Sources“ Exhibition
Photos from SPIKE LEE’s CREATIVE SOURCES
What is BEHIND THE RED MOON? El Anatsui Transforms Tate Modern Turbine Hall
Tate Modern's #TurbineHall opened on October 11, 2023 with “Behind The Red Moon” by globally acclaimed sculptor El Anatsui who transformed the site-specific Hyundai Commission with shimmering bottle cap sculptures with messages about global trade, consumption, environment and history.
El Anatsui. 13 Hyundai Commission: Behind the Red Moon. Photo ©Tate (Lucy Green)
Africa-Related, New York
PhotOS: ©Tate
Tate Modern's #TurbineHall opened on October 11, 2023 with “Behind The Red Moon” by globally acclaimed sculptor El Anatsui who transformed the site-specific Hyundai Commission with shimmering bottle cap sculptures with messages about global trade, consumption, environment and history.
Exhibition: Behind The Red Moon
October 11, 2023 - April 14, 2023
Global trade, consumption, environment and history were at the heart of El Anatsui’s mind-blowing exhibition at Tate Modern’s Turbine Hall. The internationally recognized artist is best-known for his cascading metallic sculptures constructed of thousands of upcycled bottle-tops strung with copper wire. The results of these repurposed materials are the dazzling works of abstract art, that have graced several prestigious museums and galleries around the world.
Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world's most memorable works of contemporary art. Artists like Louise Bourgeois, Cecilia Vicuña, Kara Walker, Anicka Yi, Tito Seghal, Richard Title, Miroslaw Balka, Ai Weiwei and many more; have used their art in the Turbine Hall to make statements on a wide range of subjects.
Behind the Red Moon: Photo ©Tate (Joe Humphrys)
The Hyundai Commission is curated by International Art curator Osei Bonsu, with Dina Akhmadeeva serving as Assistant Curator. The exhibition will be accompanied by a new book from Tate Publishing, in partnership with Hyundai Art Lab.
Behind the Red Moon: Photo ©Tate (Lucy Green)
DELA: The Making of El Anatsui is showing worldwide at film festivals
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YUSUF HUSSEIN: Talking Drummer from Ghana
NEW YORK CITY: Africa-Related caught up with musician Yusuf Hussein from Ghana. He and his vocalist played a short piece on his talking drum and sang in Hausa language extolling the virtues of doing good. (Video by Africa-Related)
Nigeria is 63: Good or Bad? Questions with OTA GBINOWE
Mudiare Onobrakpeya reflects on ‘Ota Gbinowe’ by Bruce Onobrakpeya. It serves as a parable, urging us to look within ourselves for answers, learn from our past experiences, and make choices that align with the principles of wisdom and selflessness.
“Ota Gbinowe‟(1974) by Bruce Onobrakpeya was presented to the Archbishop of Canterbury in 1979 - Photo courtesy of Bruce Onobrakpeya Foundation
By Mudiare Onobrakpeya - Lagos, Nigeria
Taken from my diary notes this morning Oct 1st, Nigeria's day of Independence 63 years ago. The expression Ota Gbinowe in Urhobo language, asks the question Will the Future be Good or Bad? It is the title of Bruce Onobrakpeya’s 1974 artwork.
Bruce Onobrakpeya tells us about Ota Gbinowe, which imparts valuable lessons about the pursuit of a better destiny and the consequences of one's choices. The story revolves around a dissatisfied man who embarks on a journey to the spirit world, seeking an improved fate. However, his encounter with an assembly in the spirit world, presided over by a flying spirit, with a white chalk on one hand and a sword on the other hand, leads to a profound revelation.
The man's inability to find his creator in the spirit world symbolizes the elusive nature of divine intervention in our lives. It underscores the idea that seeking external solutions to our problems may not always yield the desired results. This serves as a reminder that true transformation often begins from within.
The assembly scene, with the flying spirit holding a white chalk and a sword, serves as a powerful metaphor. The white chalk represents wisdom gained from past experiences, emphasizing the importance of learning from history. It suggests that societies or individuals who make decisions based on accumulated knowledge and selflessness are destined for a better future. On the other hand, the sword of destruction symbolizes the grim consequences of selfishness, corruption, and an unwillingness to learn from past mistakes. This part of the narrative teaches us that the choices we make have far-reaching implications, affecting the course of our lives and the world around us.
The oracle's explanation reinforces the narrative's lessons. It emphasizes the need to apply the wisdom of Ota Gbinowe to one's life. By doing so, an individual can align their actions with the principles of learning from the past, avoiding selfishness, and contributing positively to the future. This advice conveys the idea that personal growth and the reshaping of one's future begin with self-awareness and a commitment to making choices that reflect wisdom and selflessness.
In essence, Ota Gbinowe by Onobrakpeya serves as a parable, urging us to look within ourselves for answers, learn from our past experiences, and make choices that align with the principles of wisdom and selflessness. It reminds us that our destiny is shaped not only by external forces but also by the decisions we make and the values we uphold.
May the Spirit of OTA GBINOWE be with us in the month of October.
Mudiare Onobrakpeya
Bruce Onobrakpeya by Barrett Photography
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WHEY HAM - A Son of HAM Investigates Africa's Oldest Civilisation
Whey Ham is a new documentary narrated by Yahaya Maikori, an entertainment lawyer turned filmmaker and 'son of the soil', that investigates the global spread and undeniable impact of the Nok Culture - Africa's Oldest Civilisation.
by Oyiza adaba, New york
Photos Courtsey of Whey Ham
“Whey Ham”
“Son(s) of Ham” refers to the Ham ethnic group in Southern Kaduna, who occupy the very land where the remarkable Nok terracotta artworks emerged.
Whey Ham Poster
If you are a fan of history, archeological discoveries and artifacts, "Whey Ham" is an artistic piece of storytelling worth forward to. This new documentary, as told by a 'son of the soil', investigates the ancient Nok Culture and its global spread and impact.
The documentary is a personal journey to discovery the captivating world of the Nok Culture, a fascinating and mysterious civilization that thrived over two thousand years ago in what is now Jaba Local Government, Kaduna State in northern Nigeria.
Join a mesmerizing expedition through time that explores the Nok Culture’s technological breakthroughs in iron metallurgy, their illustrious terracotta artistry, and enduring legacy that continues to astonish and inspire generations.
The documentary is narrated by Yahaya Maikori, a prominent entertainment attorney, who is also a direct descendant of the keepers of the tradition and describes himself as an “amateur historian”, . Maikori’s narration provides viewers with firsthand information and rare glimpse of the share scale, offering a unique and insightful perspective into the Nok Culture.
Producer’s Statement
The documentary, which will be released in late 2023, was produced by Definitiv Media Limited, has Ed Keazor as Director (‘January 15, 1970: Untold Memories of the Nigeria – Biafra War’, ‘120 Great Nigerians We Never Knew'); Chigozie Odo and Charles Ezeike (Directors of Photography) and Yahaya Maikori as the Executive Producer. It also features prominent sons and daughters of Ham like His Royal Highness, The Kpok Ham; Archeologist Angela Rackham and daughter of British archaeologist Bernard Fagg who spent time in Nigeria in 1940’s studying Nok; as well as some of the world's foremeost scholars.
Whey Ham Production Photos
Highlights: The New York Armory Show 2023
One of New York’s biggest art fairs designed to bring together global exhibitors
One of New York’s biggest art fairs designed to bring together global exhibitors just wrapped on a high note.
by oyiza adaba
Photos BY Africa-related
Oyiza Adaba Reports. Video by Africa-Related
The Armory Show takes place at the Javitzs Center annually. The 2023 featured exhibitors like Yinka Shonibare, Ouattara Watts, Ko Gallery, Modupeola Fadugba, Kavita Chellaram, Jean Chen, Soleymane Keita, Marie-Claire Messouma MANLANBIEN, Cecil Fakhoure and more
Check out more exhibitors here
Photos from The 2023 New York Armory Show
Don’t Stop Believing by Modupeola Fadugba
”When I left my career in education 10 years ago to become a full-time professional artist, I had no idea that my core “why,” my passion for learning and teaching would still manifest in my new vocation.
Last year, I built this swimming pool in Ibadan, Nigeria and people have since come from all walks of life to learn how to swim. And not only to swim- to dance and dive- courageously, skillfully, and even artfully. I’ve had many career milestones and reasons to celebrate, but this one in particular, makes the journey of my life make sense. I’ve had this reel in my drafts since December, and each time I watch it, particularly when things don’t make sense, I’m reminded to keep believing, to keep swimming. Today, I wanted to share.”
Synchronized swimming-inspired artworks
Reflections: "The Mask & The Cross" and Bruce Onobrakpeya at 91
Months before his 91st birthday on August 30, 2023, The High Museum of Art Atlanta hosted Bruce Onobrakpeya, the wood-carver’s son who’s life-long artistic journey sought to find a meeting point between The Mask & The Cross
By OYIZA ADABA
Africa-Related New York
The High Museum of Art Atlanta
The Mask & The Cross by Bruce Onobrakpeya
April 7-July 30, 2023
By Mudiare Onobrakpeya
"The Mask and the Cross" are artworks created by Bruce Onobrakpeya, set in the final days of colonial Nigeria and shortly after its independence. These works offer a unique African perspective, delving into the underlying teachings, principles, and lessons derived from the life of Christ and the Resurrection of Christ.
The artist refers to these pieces as "New Masks" because they represent his endeavor to reconstruct and reimagine artworks using ideas from old masks, many of which were discarded and burned by early Christian missionaries.
The New Masks by Onobrakpeya retain the aesthetic potency of the original masks, now manifested in various media such as paintings, plastocasts, low relief sculptures, and other techniques that he has developed and innovated throughout his nearly 65-year artistic career.
These artworks are infused with the same esoteric meanings, conveying a narrative that transcends geographical and chronological boundaries, making them accessible to people of any culture.
"The Cross and the Mask" serve as narratives that reinterpret the universal essence of goodness by focusing on the core values that should foster a deeper understanding of the Christian message. In these artworks, Jesus Christ and other religious figures are depicted as universal symbols, emphasizing the essence of Christianity rather than being bound by the geographical and anatomical contexts of the Jewish and Roman people.
2nd June 2023
Postscript
The Solo exhibition by Onobrakpeya which was extremely well received at the prestigious High Museum in Atlanta, came to a close, at the end of July. "The Mask and tne Cross" is now billed to travel to The Smithsonian Museum, Washington D.C., in the second quarter of 2024 and the National Museum of Montreal, Canada shortly after.
3rd Sept 2023
ARTIST TALK: The celebrated artist Bruce Onobrakpeya was joined in an in-depth conversation on opening night by renowned art historian and critic Dele Jegede , with keynote delivered by his daughter Kabari Onobrakpeya.
ARTIST TALK: Bruce Onobrakpeya and Dele Jegede with renowned art critic, with keynote by Kabari Onobrakpeya. Video Source: The High Museum
“Art is something which I think has proved to be a pattern of working as well as playing; and so I don't stop playing, I don't stop enjoying using my hands. And also I don't stop thinking.
- Bruce Onobrakpeya -
HAPPY 91st BIRTHDAY!
From us @ Africa-Related
To see and do this at 91, is the prayer…Sir Bruce at the Onobrakpeya's Art Center in Agbarha-Otoh Delta State, Nigeria Video courtesy of Bruce Onobrakpeya Foundation
Photos of high museum opening by Bruce Onobrakpeya Foundation
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Watbridge Hotels Comes Alive for James Ene Henshaw
The Letters House of Watbridge Hotels, Uyo, came alive yesterday as Uyo Book Club, alongside eminent scholars, writers and intellectuals gathered to mark the 99th posthumous birthday memorial of Dr. James Ene Henshaw. The event was supported by Watbridge Hotels &Suites, Uyo and the James Ene Henshaw Foundation(JEHF).
...as rain of tributes pour in for pioneer Nigerian playwright
by samuel udoma
The Letters House of Watbridge Hotels, Uyo, came alive yesterday as Uyo Book Club, alongside eminent scholars, writers and intellectuals gathered to mark the 99th posthumous birthday memorial of Dr. James Ene Henshaw. The event was supported by Watbridge Hotels &Suites, Uyo and the James Ene Henshaw Foundation(JEHF).
Dr. Ene Henshaw, (born August 29, 1924, died August 16, 2007), a physicist by profession, was one of Nigeria's pioneers playwrights. He is well known for one of his all time classics, This Is Our Chance. His other notable titles include Medicine for Love and Dinner for Promotion.
During the session, a Professor of Theatre and Aesthetics at the University of Uyo, Effiong Johnson delivered a sumptuous review of some of Dr. Henshaw's works, dwelling a little bit more on 'Magic in Blood' - regarded as one of Henshaw's rarest.
The Dean, Faculty of Arts, University of Uyo, Prof. Joe Ushie in his rapporteur, hailed Dr. Henshaw's influence on a generation of writers, especially those from the Southern part of the country. Ushie offered critical insights into Dr. Henshaw's use of language, thematic plots and style in many of his plays.
On his part, patron of Uyo Book Club and the Senator representing Akwa Ibom South in the Senate, Dr. Ekong Sampson, in his goodwill message delivered by his Special Assistant on Media, Samuel Udoma, said that Dr. James Ene Henshaw deserves to be celebrated.
Senator Sampson, recalled the fond memories of Bambulu, a well known character in Henshaw's This Is Our Chance, which gained fame in schools and colleges, paying tribute to the 'medicine men in literature', including the likes of Cyprian Ekwensi, Martin Akpan for their great sense of storytelling and exploring the 'writer in the scientist'.
Uyo Book Club in-house orator and former Chairman, Association of Nigerian Authors(ANA), Akwa Ibom State, Dr. Martin Akpan, himself, a medical doctor just like Dr. James Henshaw, also gave a resounding presentation, sharing his thoughts on the evolution of Doctors-Writers, which he said dated back to antiquity from St Luke the Evangelist down to Dr. Godwin Noah in the 21st century.
To wrap up his rich presentation, Dr. Akpan regaled the audience with an immaculate rendition of some of the popular lines of Bambulu from 'This Is Our Chance'. Dr. Akpan is said to have acted that part back in his primary school days, many years ago.
Other speakers at the session including Dr. Bassey Ubong, Chairman of the Planning Committee, Mr. Ekanabasi Ubong, who chaired the session, Abom Tony Esu, who moderated the cake cutting and took the audience through the relationship between some English and Efik names such as Henshaw for Ansa, Prof. Solomon Obotetukudo, Mrs. Ini Iteh, Mrs Alice Ugbe, General Manager, NTA, Uyo, hailed the lasting literary legacies of Dr. James Ene Henshaw.
One of James Ene Henshaw's children, Ene Henshaw Jr, who joined via Zoom from the UK, lauded Uyo Book Club and Watbridge Hotels for hosting such an elaborate memorial for their dad. He said the event has opened up a good prelude to the Henshaw centennial coming up next year.
Earlier in his tone setting, the founder of Uyo Book Club, Dr. Udeme Nana said the club will continue to celebrate and immortalize literary giants for their contributions to knowledge and the reading culture.
Recall that so far, Uyo Book Club has held special sessions for William Shakespeare, Wole Soyinka, Chinua Achebe, Christopher Okigbo, among others. Henshaw is the first writer from Akwa/Cross to be so honoured by the book club.
Highpoint of yesterday's meet was the cutting of the birthday cake and a toast to the 99th posthumous anniversary of the Dr. James Henshaw.
KHALIL GIBRAN - A Greater Beauty in Words and Drawings
The name Khalil Gibran usually sparks a conversation about his popular 1923 book, The Prophet, but this world renowned Lebanese American author is also known as a powerful artist, poet and essayist.
Welcoming Picture at The Drawing Center New York. The famous photo with a book taken in 1839 of the young Lebanese immigrant Kahlil Gibran at age 14, by F Holland Day who funded and guided his education.
By Oyiza Adaba
Africa-Related New York
An Exhibition
July 11 - September 10 2023
The name Khalil Gibran usually sparks a conversation about his popular 1923 book, The Prophet, but this world renowned Lebanese American author is also known as a powerful artist, poet and essayist. A Greater Beauty: The Drawings of Kahlil Gibran is an exhibition which features over one hundred of his works, and coincides with the 100th anniversary of this world-renowned publication.
Five artists came together to celebrate the art of Khalil Gibran at the The Drawing Center, where a collection of his drawings, writings and poetry are currently exhibiting.
Readings from various writings of poetry by Arab and Arab American artists like Nuar Alsadir, the poet and nonfiction writer who has authored books like “Animal Joy”, and Adam Bakri, a celebrated Palestinian actor and son of a prominent actor who has starred with Keira Knightley in “Official Secrets” and is unforgettable in his compelling performance in the film Omar. Mona Kareem has written three poetry collections, and her works have been translated into nine languages. She is the recipient of several awards including the 2021 National Endowment Grant.
Palestinian-American writer performance artist Fargo Nassim Tbakhi also featured with his provoking pieces, while the award winning Syrian-born New-York-based rapper and spoken word artist Omar Offendum closed out the show with a powerful rendition from his critically acclaimed theatrical performance titled Little Syria. Influenced by the work of Gibran and the Arab light writers, Offendum engaged the audience in a sing along, weaving Gibran’s poems together with his own musical repertoire.
Omar Offendum - The result was a spiritual evening - not in a religious sense, but in a deeply personal interpretation and presentation of Gibran’s works by participating artists.
Curating Conflicts
Curator Claire Gilman delivering her opening remarks
In her opening remarks, lead curator Claire Gilman touched on the conflicts Gibran faced in his life, which caused him to be described as a non sectarian mystic, self oriented writer and visual artist with a foot in both Arab and Euro American culture. He was a proud Arab, Maronite Christian, a Syrian patriot who wrote in English and Arabic, and he continued to be outspoken with his support for great Syrian and pan Arab states until his death on April 10, 1931.
He came to America as a political refugee, and the conflicts that he faced settling into this new world, reflected so deeply in his writings and his works. According to their essay, Gilman and her co-curators, scholar Nika Lanson, Joseph Geagea, Director of the Gibran Museum in Bsharri, Lebanon, alongside three other contemporary artists, explored Gibran’s search for universal truths that transcends cultural religious boundaries, his rejection of modernism for a uniquely egalitarian Universalist aesthetic, his deep investment in the political issues of the day, and his acutely felt responsibility to the homeland while making his way as an immigrant into a new world.
THE PROPHET
by Khalil Gibran
First Publication: 1923
Translations: 100 languages
Sold: 10 million copies worldwide
Artist from Israel Yifat Bazelel sits in front of The Drawing Center, New York
NY-based Sculptor & Designer Ogundipe Fayomi listens intently inside The Drawing Center.
Danielle Aldouby - Art instructor at Columbia University Teachers College leaving the The Drawing Center
The Drawing Center has been a New York City staple for over five decades. It put together this ambitious scale exhibition with several partnerships such as Dominique Levy and the Andy Warhol Foundation for visual arts and several others.
Khalil Gibran the popular poet who wrote the classic book The Prophet in 1923 that is popularly used in wedding vows, but did you know he was also a visual artist known for his signature use of bright sky blue water colors?
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Khalil Gibran the popular poet who wrote the classic book The Prophet in 1923 that is popularly used in wedding vows, but did you know he was also a visual artist known for his signature use of bright sky blue water colors? 〰️
Photos by Africa-Related
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The 25th Edition of Bruce Onobrakpeya's Harmattan Workshop Retreat
The 25th edition of Bruce Onobrakpeya's Harmattan Workshop Retreat recently took place on August 13-25 2023 at the Onobrakpeya's Art Center in Agbarha-Otoh Delta State, Nigeria.
by Oyiza adaba
The 25th edition of Bruce Onobrakpeya's Harmattan Workshop Retreat recently took place on August 13-25 2023 at the Onobrakpeya's Art Center in Agbarha-Otoh Delta State, Nigeria.
“The Harmattan Workshop brings people together... and in that way, friendship is created and that friendship actually leads to the general peace of the world.
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The elder statesman and legendary artist was on ground to teach and learn from a diverse group of participants, from international students, historians and visiting Nation Youth Service Corp members stationed in the state.
Retreat activities during the annual two-week hiatus include much needed rest, guided tours, discussions and ongoing creating art processes.
Following the successful conclusion of The Harmattan Workshop Retreat in Agbarha-Otoh and ahead if his 91st birthday, Sir Bruce Onobrakpeya reflects on how the sense of feeling has kept him and his art going.
Video Source: Business Africa Initiative
Photos Courtesy of BO Foundation
Fela Kuti And His Politics
Fela Kuti was one of the most significant musical icons in the history of black music. Born on September 21, 1938, Fela grew up during a time of change in Africa. After colonial rule by European nations ended and independence was achieved, the country’s new leaders began asserting a socialist economic system that critics claim caused widespread poverty and corruption.
FELA: The Funky Jazz Man
He created Afrobeat by fusing traditional West African talking drums with American funk, jazz, and soul.
By Fortune Ehiwayas
FELA: The Funky Jazz Man
Fela Kuti was one of the most significant musical icons in the history of black music. Born on September 21, 1938, Fela grew up during a time of change in Africa. After colonial rule by European nations ended and independence was achieved, the country’s new leaders began asserting a socialist economic system that critics claim caused widespread poverty and corruption.
Such injustices inspired Fela to speak out against his native country’s government and provide hope for Africans who felt despair at social ills like famine, poverty, and a lack of education. Although many know about his political activism, few are aware of his prodigious musical talent as well as his innovative contributions to Afrobeat music that have influenced international musicians such as Michael Jackson and Bob Marley.
Fela was born in Abeokuta, Nigeria, where his father was a famous Nigerian barrister and champion for human rights. As a child, Fela took great interest in both his mother’s speeches and his father’s legal work. Although he received a degree in accounting, Fela began playing music at night while working during the day. He formed The Koola Lobitos before founding an Afrobeat band that came to be known as The Africa 70, which also included his wife at the time, Remi (Remigius) Cardoso, whom he met when she was traveling back to Nigeria from abroad.
Although Fela was not the first African musician to incorporate jazz into his music, he was one of the first to create a new sound called Afrobeat by fusing traditional West African talking drums with American funk, jazz, and soul. His version of Afrobeat music provided hope for Africans struggling under their government’s corruption, as he openly criticized officials in many of his songs.
Fela Kuti & Africa 70 - Pansa Pansa 1/2 (Berlin 1978)
He strongly believed that the politicians and military leaders in Africa were taking advantage of low-income families, and their hope for political change led to his involvement with the Koola Lobitos, a group that played jazz at nightclubs around Nigeria.
In 1960, Fela and his group The Koola Lobitos began playing a mixture of indigenous rhythms and jazz with heavy influence from American soul music in Lagos nightclubs. They were also involved in extracurricular activities like union organizing against the Nigerian police force as well as organizing food drives for students and poor citizens. He was arrested once for performing "Alagbon Close" ("Agbon Close") in 1962 about government corruption.
FELA! on Broadway was a theatrical musical biopic that successfully toured globally
Fela Ransome-Kuti And Africa ’70 with Ginger Baker - Live! (1971) full Album
The FILM FESTIVAL MASTERY Class Is Every Filmmaker's Guide
It's common knowledge that the success of an indie film can be heavily influenced by whether or not a film has a successful festival run. This FREE webinar by Festival Director Jon Fitzgerald and Filmmaker Justin Giddings teaches how to navigate the circuit AND how to advance your career.
By Africa-Related New York
The Film Festival Mastery
Festival Director Jon Fitzgerald
Filmmaker Justin Giddings
If you missed the FREE webinar titled The Film Festival Mastery by Festival Director Jon Fitzgerald and Filmmaker Justin Giddings, here is a replay for you!
WATCH THE REPLAY
Here’s what was covered:
How to get into the festivals that will advance your career and the goal(s) of your film.
How to ensure your film has the highest chance of being seen by the actual programmers (instead of the interns)
One simple trick on saving $1,000+ on submission fees without begging programmers for freebies or handouts
How to create a custom strategy based on your film and goals to ensure your film gets into the right festivals
...and a kick-ass Q+A with some GREAT questions!
