Photo Highlights DELA: North American Premiere at NYAFF31
Photo Highlights
DELA: North American Premiere at NYAFF31
photos by John Oko Nyaku (Africa Photo Communications)
Photo Highlights
DELA: North American Premiere at NYAFF31
May 12, 2024
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Highlights from NYAFF31 Opening Night with Tolu Ajayi
Celebrating a remarkable and extraordinary visit to Lanre Olagoke's Regent Street Studio in London, where I had the privilege of spending time with the esteemed artist and painter, Lanre Olagoke MBE.
Oyiza Adaba, New York
OVER THE BRIDGE
Director: Tolu Ajayi
Opening Night Film
New York African Film Festival (NYAFF31)
Screening/Q&A with Director
Wednesday May 8, 2024
Film at Lincoln Center, NY
The 31's edition of the New York African Film Festival (NYAFF31), opened with the screening of a Tolu Ajayi film "Over The Bridge". The 99-minute made in Nigeria drama made its North American Premiere at the prestigious Walter Reade Theatre Film at Lincoln Center.
On hand to welcome guests from over 25 countries, was NYAFF Executive Director and Founder Mahen Bonetti. Her vision of sharing African cinema since 1993, continues to bring budding and accomplished filmmakers together annually, in the big apple.
Film Synopsis Folarin is an accomplished investment banker with a beautiful wife and a life most people can only dream of. When a high-profile government project his company was hired to manage goes awry, he starts to question everything he’s ever known to be true. After going missing, he discovers himself in a remote fishing village and starts to put together the missing pieces—but will he ever find his way back home?
PHOTOS
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The 31st New York African Film Festival lineup announced
NEW YORK — Film at Lincoln Center (FLC) and African Film Festival, Inc. (AFF) will celebrate the 31st edition of the New York African Film Festival (NYAFF) from May 8 to May 14. Since its inception in 1993, the festival has been at the forefront of showcasing African and diaspora filmmakers’ unique storytelling through the moving image. This year’s theme, “Convergence of Time,” explores the intersection of historical and contemporary roles played by individuals representing Africa and its diaspora in art. With more than 50 films from more than 25 countries, the festival invites audiences to delve into the convergence of archival and modern experimentalism, transcending both space and time.
FOR IMMEDIATE RELEASE
FILM AT LINCOLN CENTER AND AFRICAN FILM FESTIVAL ANNOUNCE THE COMPLETE LINEUP FOR THE 31ST NEW YORK AFRICAN FILM FESTIVAL, MAY 8–14
Featuring the North American premiere of Tolu Ajayi’s Over the Bridge
and the New York premiere of Dibakar Das Roy’s Dilli Dark
Harold George’s short Making Men
to be accompanied by the director’s dance troupe, a first-time event for NYAFF
Mirah, After the Long Rains, Fight Like a Girl, Dynamite, and Teacher Don’t Teach Me Nonsense
NEW YORK — Film at Lincoln Center (FLC) and African Film Festival, Inc. (AFF) will celebrate the 31st edition of the New York African Film Festival (NYAFF) from May 8 to May 14. Since its inception in 1993, the festival has been at the forefront of showcasing African and diaspora filmmakers’ unique storytelling through the moving image. This year’s theme, “Convergence of Time,” explores the intersection of historical and contemporary roles played by individuals representing Africa and its diaspora in art. With more than 50 films from more than 25 countries, the festival invites audiences to delve into the convergence of archival and modern experimentalism, transcending both space and time.
“The 31st New York African Film Festival has so much to offer in terms of honoring the origins of homegrown, beloved African and diaspora film industry, as well as celebrating their references in modern masterpieces,” said Mahen Bonetti, NYAFF Founder and AFF Executive Director.
The Opening Night selection is the North American premiere of Over the Bridge, Tolu Ajayi’s feature about corruption in Lagos as Folarin, a successful investment banker whose company is contracted by the government to oversee a high-profile project, searches for answers when the project goes awry, which leads him to a remote fishing village to put the pieces of the mystery together.
The Closing Night selection features the New York premiere of Dibakar Das Roy’s riveting and uproarious Dilli Dark, which shows the boundaries Nigerian MBA candidate Michael Okeke will push to succeed as he lives a double life as a student and drug dealer amidst the backdrop of India’s history of colonialism, racism, and xenophobia.
The festival will also host the North American premieres of Matthew Leutwyler’s Fight Like a Girl, depicting the true story of a young Congolese woman (Ama Qamata from the hit Netflix series Blood and Water) who finds liberation after joining an all-women’s boxing club in Goma, led by an ex-child-soldier coach; and Oyiza Adaba’s biographical documentary DELA: The Making of El Anatsui, which delves into the life of El Anatsui, the world-renowned sculptor from Ghana, and triumphantly acknowledges the importance of Africa’s rich artistic and cultural heritage.
Three festival features are U.S. premieres: Yajaira De La Espada’s documentary Teacher Don’t Teach Me Nonsense, showcasing the life and empowering legacy of the founding father of Tanzania, Mwalimu Julius Nyerere, and the recent presidency of Dr. John Pombe Magufuli; Clive Will’s Time Spent with Cats Is Never Wasted, a stark piece of slow-burning cinema featuring a small-town worker who finds success after selling a helicopter he made out of scrap and found objects, while having to fight off the local townsfolk who insist on a cut of the profits; and Perivi Katjavivi’s Under the Hanging Tree, a hard-boiled crime thriller following police officer Christina, as she seeks to uncover details of a murder on a German-owned farm in present-day Namibia, set against echoes of the country’s history of genocide.
Five features making their New York debut are: Damien Hauser’s After the Long Rains, a touching account of 10-year-old Aisha, who longs to become a fisher so she can travel to Europe, and befriends an alcoholic fisherman who promises to teach her; Uche Aguh’s musical romance Dynamite, which finds musician Kiki in an unhappy marriage with her husband/manager and beginning a whirlwind romance with a replacement bassist in her band; Osvalde Lewat’s documentary MK: Mandela’s Secret Army, the little-known story of the military avant-garde founded by global icon Nelson Mandela, screening for the 30th anniversary of South African Freedom Day; This Is Lagos, Kenneth Gyang’s dark comedy featuring aspiring rapper Stevo navigating the dangers of his criminal past after an escape from a heist goes wrong; and The Rhythm and the Blues, the true-life story of legendary bluesman Eddie Taylor and his fight against obscurity, industry corruption, and cultural appropriation, starring actor and musician Leon.
An exciting addition to this year’s festival is La Chapelle, Jean-Michel Tchissoukou’s surreal take on the relationship between Africa, Christianity, and colonialism. A classic feature shot in 1980s Congo, this enchantingly bizarre and bitingly funny satire leaves one questioning the relevance of space and time.
Among many shorts premiering at NYAFF, not to be missed is Harold George’s Making Men. In a first for NYAFF, the screening of George’s film will be accompanied by a live dance performance from George and members of his dance troupe, as well as a discussion afterwards. A brilliant question of masculinity, visually probed via imagery of traditional customs, the film supplies modern questions with ancestral answers. Another, Love Taps, directed by Derrick Woodyard and executive produced by Spike Lee, offers another comment on masculinity, secrets, and family ties.
NYAFF will present an “Art & Activism” Town Hall at The Africa Center on Thursday, May 2, at 6:00pm, featuring artists Christian Nyampeta, Adama Delphine Fawundu, and Taiwo Aloba, moderated by cultural anthropologist, curator, and scholar Paulette Young.
This year’s Master Class presented by AFF will feature veteran independent filmmaker Ngozi Onwurah, who will discuss the craft of utilizing cinema as a tool for unmasking the dynamics of the socioeconomic status quo. The event takes place in the Amphitheater at the Elinor Bunin Munroe Film Center with tickets available through africanfilmny.org.
“A litany for past suns labeled rituals / A star lit any and all possible futures,” a digital art exhibit of the work of Zainab Aliyu, will run in the Amphitheater at the Elinor Bunin Munroe Film Center May 9–14 beginning 30 minutes before the first NYAFF screening of the day. The exhibit is inspired by Nikki Giovanni’s “A Litany for Peppe” (1970) and Audre Lorde’s “A Litany for Survival” (1978), two poems written years apart, yet converging thematically through time. As the title suggests, the piece is structured as a litany, a repetitive and rhythmic form often used in ceremonial settings. In this context, Aliyu’s litany serves as a call to action for her communities to alchemize their shared histories toward shared futures.
Tickets go on sale Thursday, April 11 at noon ET. Ticket prices are $17 for the general public; $14 for students, seniors, and persons with disabilities; and $12 for FLC Members. See more and save with a 3+ Film Package ($15 for general public; $12 for students, seniors (62+), and persons with disabilities; and $10 for FLC Members), the $99 All-Access Pass, or the $79 Student All-Access Pass. Contact info@africanfilmny.org for information about attending the Opening Night Party.
The festival continues at Maysles Documentary Center in Harlem from May 17 to 19 and culminates at Brooklyn Academy of Music under the name Film Africa from May 24 to May 30 during Dance Africa.
The programs of AFF are made possible by the generous support of the National Endowment for the Arts, New York State Council on the Arts, New York Community Trust, NYC Department of Cultural Affairs, Bradley Family Foundation, Domenico Paulon Foundation, NYC & Company, French Cultural Services, Manhattan Portage, Black Hawk Imports, Essentia Water, South African Consulate General, National Film and Video Foundation, and Motion Picture Enterprises.
FILMS & DESCRIPTIONS
The Opening Night premiere of Over the Bridge will take place at
the Walter Reade Theater (165 W. 65th Street).
All other films will screen at the Elinor Bunin Munroe Film Center (144 W. 65th Street).
Opening Night
Over the Bridge
Tolu Ajayi, 2023, Nigeria, 99m
English and Yoruba with English subtitles
North American Premiere
Folarin is an accomplished investment banker with a beautiful wife and a life most people can only dream of. When a high-profile government project his company was hired to manage goes awry, he starts to question everything he’s ever known to be true. After going missing, he discovers himself in a remote fishing village and starts to put together the missing pieces—but will he ever find his way back home?
Wednesday, May 8 at 6:30pm – Q&A with Tolu Ajayi
Thursday, May 9 at 2:00pm
Closing Night
Dilli Dark
Dibakar Das Roy, 2023, India, 100m
English, Hindi, Yoruba, Pidgin, Bengali, and Gujarati with English subtitles
New York Premiere
New Delhi is not as “new” as the name might suggest. It is an ancient, cosmopolitan city that has seen many rulers, invaders, and settlers over the centuries. It is a city that is multicultural, yet hostile—forever playing out the battle between insider and outsider. But though Delhi has seen many kings, one can say that the city is the only true monarch, a god in itself. Michael Okeke is one of the many Nigerians living in the city, part of a larger African diaspora that is often looked down upon by the locals and accused of being criminals, cannibals, and more. He is studying for his MBA and dreams of joining the booming corporate sector in India, but in the meantime works as a small-time drug delivery guy to make ends meet. Living on the fringes of society, the only person who takes him in is a sketchy woman by the name of Maansi, someone who does not discriminate between black and white—but also seems to find no difference between right and wrong, a sentiment being echoed in every aspect of the city’s DNA. As Michael navigates this tricky landscape and tries to please the god that is Delhi, we are taken on a journey into Indian society’s tricky relationship with race, color, and identity.
Tuesday, May 14 at 8:15pm – Q&A with Dibakar Das Roy
After the Long Rains
Damien Hauser, 2023, Switzerland/Kenya, 90m
Swahili with English subtitles
New York Premiere
Ten-year-old Aisha is given a school assignment to figure out what she wants to be when she grows up. She soon realizes that everyone is taking over their parents’ businesses and professions, but she has bigger dreams: She wants to go to Europe and become an actress. Her plan is to become a fisher so that she can sail to Europe, but her mother thinks that fishing should be left to men. Despite all this, she meets an alcoholic fisherman named Hassan, who promises to teach her how to fish.
Preceded by
Timis / Dusk
Awa Moctar Gueye, 2023, Senegal, 16m
Wolof with English subtitles
New York Premiere
Pa Kong-Kong is a mysterious man who lives alone in a deserted, gloomy market in the suburbs of Kajar. Rumor has it he tortures little thieves, runaways, and naughty children. Binta, a curious and courageous girl, decides to confront Pa Kong-Kong in the middle of the night, determined to prove to her friends that girls have the bravery to lead.
Sunday, May 12 at 1:00pm – Q&A with Damien Hauser
Monday, May 13 at 2:30pm
La Chapelle
Jean-Michel Tchissoukou, 1980, Congo, 80m
Lingala and French with English subtitles
Set in 1930s Congo, director Jean-Michel Tchissoukou’s comedy La Chapelle humorously portrays the conflicts between African traditions and the Catholic Church during the construction of a chapel. Tensions rise as the village priest clashes with a young teacher, while the villagers navigate the establishment of a school and chapel, frustrating the parish priest.
Preceded by
Jabari
Francis Y. Brown, 2023, Ghana, 6m
English
New York Premiere
Jabari, an orphan raised by seer Hem-Netjer, grows to uncover the mystery behind his birth and the demise of his parents. He takes on mystical giants summoned from the dark realms of the underworld in the course of fulfilling his discovered purpose and saving the innocent people of Aksum.
Thursday, May 9 at 5:30pm
Friday, May 10 at 3:00pm
DELA: The Making of El Anatsui
Oyiza Adaba, 2023, Nigeria, 120m
English, French, and Ewe with English subtitles
North American Premiere
DELA: The Making of El Anatsui is a biographical documentary delving into the life of an extraordinary artist, El Anatsui, the world-renowned sculptor from Ghana. His inner musings find vivid expression in art that defies borders and limitations, reshaping the very concept of sculpture. Oyiza Adaba’s directorial debut triumphantly acknowledges and emphasizes the importance of Africa’s rich artistic and cultural heritage in the pantheon of global contemporary art.
Sunday, May 12 at 3:30pm – Q&A with Oyiza Adaba
Dynamite
Uche Aguh, 2023, Ghana, 60m
English
New York Premiere
Kiki, a songstress managed by her controlling and strong-willed husband Mark, is set to release her latest album when a replacement bassist, Kofi, comes in for a rehearsal with Kiki and her band. Sparks immediately fly, and Kiki is forced to make a difficult decision when she finds herself thrust into this new love affair.
Preceded by
Last Night
Peter Oti Asamoah, 2023, Ghana, 17m
No dialogue
World Premiere
A man’s desire for a beautiful stranger leads him down a dark and dangerous path, where he discovers a terrifying secret lurking beneath the surface. As he searches for the woman who stole his heart, a battle for survival ensues, and the man’s fate hangs in the balance as he fights to uncover the truth about the woman and her secrets. This gripping tale will keep you on the edge of your seat until the shocking finale.
Friday, May 10 at 5:45pm – Q&A with Uche Aguh
Tuesday, May 14 at 2:00pm
Fight Like a Girl
Matthew Leutwyler, 2023, Rwanda/Democratic Republic of the Congo, 118m
English and Swahili with English subtitles
North American Premiere
A young Congolese woman (Ama Qamata from the hit Netflix series Blood and Water) forced to work in an illegal mineral mine escapes her captors and finds a new life for herself after joining a renowned all-women’s boxing club in the border city of Goma. Based on the true story of an East Congo all-women’s boxing club and their ex-child-soldier coach, Fight Like a Girl was shot on location in the Democratic Republic of the Congo and Rwanda.
Friday, May 10 at 8:15pm – Q&A with Ama Qamata
Making Men with Discussion + Dance Performance
Antoine Panier, 2019, Belgium/Zimbabwe, 60m
English
New York Premiere
Examining the question of masculinity, this dance film zooms in on four individuals in the process of becoming men. As is expected, they proceed unquestioningly into manhood through various stages of their lives, adopting the clearly coded characteristics dictated by society. However, they’re oppressed by a feeling of unease in the very depths of their being, feeling uncertainty but also something else, harder to define…. Shot in the breathtaking landscape of Zimbabwe, Making Men features strong and rhythmical choreography but also special camerawork that intensifies emotions inspired by the movement. This special hour-long event will feature the New York premiere of the 24-minute film Making Men, followed by a discussion and a special dance performance by Harold George and Berrette Macaulay.
Saturday, May 11 at 1:30pm at Elinor Bunin Munroe Film Center Amphitheater – Q&A and live dance performance by Harold George and Berette Macaulay
MK: Mandela’s Secret Army
Osvalde Lewat, 2022, South Africa/France, 57m
English, German, and French with English subtitles
New York Premiere
MK: Mandela’s Secret Army chronicles the lives of former members of uMkhonto we Sizwe (MK), the armed wing of the African National Congress. The documentary is an intergenerational reflection on the all-consuming call to take up arms for South Africa’s liberation, heeded by young men and women—some barely in their teens—who gave up their lives and any future to risk death for the dream of a free South Africa. The young guerilla fighters of yesteryear are now aging veterans. How will history remember them? Where are they now, and how have they reconciled a past committed to liberation with a present-day reality that their contribution to a free South Africa has almost been forgotten?
Preceded by
Neighborhood Alert
Ngozi Onwurah, 2024, U.S., 30m
English
North American Premiere
Inspired by a true story, Neighborhood Alert tells the story of a Black mother that is forced to take extraordinary action in order to ensure the safety of her teenage son.
Monday, May 13 at 5:30pm – Q&A with MK: Mandela’s Secret Army producer Zola Maseko and Ngozi Onwurah
The Rhythm and The Blues
Darryl Pitts, 2024, U.S., 59m
English
New York Premiere
A tale of passion, struggle, and the enduring power of music in an ever-changing world, The Rhythm and The Blues is the true-life story of legendary bluesman Eddie Taylor and his fight for recognition against obscurity, industry corruption, and the British Invasion’s cultural appropriation. Portrayed by actor and musician Leon, Taylor’s battles extend to his family, where an ambitious young wife and idolizing stepson complicate his quest for musical respect.
Preceded by
Funmi!
Siji Awoyinka, 2024, U.S., 12m
English
World Premiere
Funmi! is a visual praise song for a radiant soul on the occasion of his transcendence from man to melody, from brother to memory.
Saturday, May 11 at 5:30pm – Q&A with Darryl Pitts, Leon Robinson, Adesiji Awoyinka and Funmi Ononaiye's mom
Teacher Don’t Teach Me Nonsense
Yajaira De La Espada, 2023, U.S./Tanzania, 75m
English and Swahili with English subtitles
U.S. Premiere
Teacher Don’t Teach Me Nonsense is a documentary that gives voice to the growing trend of Afro-descendants moving back to the continent of Africa to live. It highlights the life of a professional educator and their journey through the Texas school system to find freedom amid issues surrounding school equity, racism, and miseducation. This is juxtaposed against the life and legacy of the founding father of Tanzania, Mwalimu Julius Nyerere, who enacted empowering policies such as Ujamaa and Education for Self-Reliance, and the life and times of Dr. John Pombe Magufuli, the president who denounced COVID-19. While the American education system has left more to be desired in teaching about African leaders such as Nyerere and Magufuli, this documentary dissects the issues of culturally unresponsive curricula and harmful teaching practices in the U.S., providing solutions centered on the history of independence and contemporary political policies of Tanzania. Teacher Don’t Teach Me Nonsense helps viewers to imagine a society governed by teachers and the positive impact they bring.
Co-presented by Cinema Tropical
Saturday, May 11 at 3:00pm – Q&A with Yajaira De La Espada
This Is Lagos
Kenneth Gyang, 2023, Nigeria, 91m
Pidgin and English with English subtitles
New York Premiere
Needing quick cash for studio time, aspiring rapper Stevo works for the psychotic Kojack and his “shoot-rob-run” gang. When their escape from a heist goes wrong, Stevo is separated from the gang. Luckily, he’s the one carrying the loot. In this dark comedy about a musician and his smart city girl, Stevo must navigate the dangers of his criminal past while pursuing his music dreams.
Sunday, May 12 at 9:00pm – Q&A with Kenneth Gyang
Time Spent with Cats Is Never Wasted
Clive Will, 2021, South Africa, 171m
Xhosa with English subtitles
U.S. Premiere
This stark piece of slow cinema captures one man’s battle with the world around him. Joe, a small-town abattoir worker, leads us on this allegorical journey. His dream to fly has impelled him to construct his own helicopter, a ramshackle assembly of scrap and found objects with no real practical capability aside from standing as a monument to his individuality. When an art buyer offers to purchase the flamboyant creation, it is a mixed blessing that causes a fracas among the people of his community, who unjustifiably demand a stake in the potential spoils. Joe is forced to fight off the avaricious townsfolk or lose all he has worked for.
Monday, May 13 at 8:15pm – Q&A with Clive Will
Under the Hanging Tree
Perivi Katjavivi, 2023, Namibia, 93m
English, German, Afrikaans, Otjiherero, and Khoekhoegowab with English subtitles
U.S. Premiere
In this first-of-its-kind film that dissects Namibia’s colonial past, Christina Mureti, a hard-boiled police officer from the city, is transferred to a small desert village in Namibia, where she uncovers a series of grisly animal sacrifices perhaps linked to the disappearance of the villagers’ children. Then a German farmer is found hung on the same tree where Christina’s ancestors were hung a century ago during Germany’s colonial war and genocide. It is only when Christina begins to learn about her people’s history and embraces some of its cultural wisdom that she will be able to solve the case.
Tuesday, May 14 at 5:30pm – Q&A with Perivi Katjavivi
NEW YORK AFRICAN FILM FESTIVAL SHORTS PROGRAMS:
ETERNAL SOULS, TRANSIENT BODIES (84m)
Sometimes It Was Beautiful
Christian Nyampeta, 2018, Sweden/Democratic Republic of the Congo, 3m
English and Swedish with English subtitles
A group of unlikely friends gather in a time-knot to watch and critique films made by Swedish cinematographer Sven Nykvist in the Congo between 1948 and 1952. Their discussion highlights enduring tensions surrounding social transformation, cultural property, and who has the right to representation.
Mångata
Maja Costa, 2023, Germany/Italy, 16m
English, Italian, and Yoruba with English subtitles
New York Premiere
As a child, little Alya is the only survivor of a tragic Mediterranean crossing from Africa to Europe. Many years later, as an astronaut on an important lunar mission, Alya loses communication with her base. She is confronted with her past trauma, and now Mångata—“the road to the moon,” which already saved her life once, will help her again.
For Those That Lived There
Shawn Antoine II, 2023, U.S., 6m
English
New York Premiere
For Those That Lived There weaves a visual tapestry, navigating the poignant impacts of gentrification, the displacement of Black legacies and the emergent migrant narratives.
The Prophecy
Rehanna Ngom, 2023, Senegal/U.S., 20m
English and Wolof with English subtitles
World Premiere
Tabara, a second-generation immigrant from Senegal living in America, suffers from the consequences of a rape, with her trauma manifested in nightmares where a monstrous creature, mutilated above recognition, mocks her. After unsuccessful therapy and advice from her traditional grandmother, Tabara decides to travel to Senegal for the first time to seek treatment from an unorthodox source—an African marabout, a holy man who is believed to have supernatural power.
The Last Bash
Diego de Jesus, 2023, Brazil, 24m
Portuguese with English subtitles
New York Premiere
Young people gather for a party before going into COVID-19 lockdown. They talk about music, arts, work, and the uncertain future, not knowing when they will be able to meet again.
The Wait
Imran Hamdulay, 2023, South Africa, 15m
English, Xhosa, and Afrikaans with English subtitles
World Premiere
After arriving at a Cape Town police station to report a crime, Mzu finds an elderly man has been overlooked while waiting at the back of the queue. The station is busy and the old man is confused with no one to assist him. Mzu takes it upon himself to see that this man is helped but quickly finds resistance from those ahead in line and the stifling bureaucratic system. The Wait is an allegory of South Africa’s complex society, where a sense of powerlessness and hope exist together at all times.
Thursday, May 9 at 8:30pm – Q&A with Rehanna Ngom and Christian Nyampeta
PERPETUAL CONNECTIONS (98m)
Love Taps
Derrick Woodyard, 2023, U.S., 14m
English
New York Premiere
A young boy trying to cope with his parents’ separation gains a new perspective of his father after discovering his affair with another man.
The Last Joint
Devin Powell, 2024, U.S., 7m
English
World Premiere
Iman indulges in a last joint before he takes a tolerance break. Once all of the herbs are gone, his phone starts to blow up. Texts from his supplier and from his love interest, Tori, pressure Iman to succumb to his environment and pursue more stress-relieving medicine. Through this journey Iman learns if the collapse of his discipline was worth it.
Jeanne
Antoine Paley, 2023, France, 12m
French with English subtitles
New York Premiere
Jeanne Duval, the mixed-race muse and partner of Charles Baudelaire has been forgotten by time and erased by history. But she refuses to remain silenced. In this short we see April 27, 1842: a day in the life of Duval and Baudelaire. As the day goes on, the weight of Charles’s words and needs becomes increasingly difficult for Jeanne to bear.
Mirah
Ahmed Samir, 2024, Egypt/Germany, 18m
English, Arabic, and German with English subtitles
World Premiere
Inspired by a true story, Mirah, an Egyptian immigrant living in Germany, finds a unique way to adapt to the fast life of Berlin. Through the fictional story of Mirah and her journey of self-discovery, the film invites audiences to question the social masks we wear to feel safe.
Papi
Ashley L. Canfield, 2024, U.S., 23m
English and Spanish with English subtitles
North American Premiere
Hector Jr. tries to navigate the complexities of reconciling his self-identity amidst his father’s COVID-19 crisis.
Addis, My Father
Kitoko Diva, 2023, France/U.S., 8m
Amharic and English with English subtitles
U.S. Premiere
A sense of the inevitable fills the silence between Addis and Rahel, a father and daughter, as they work tirelessly in their empty clock and antique repair shop.
Black Dreams
Chiemeka Offor, 2024, U.S., 16m
English
New York Premiere
In a realm of darkness, a young woman harnesses divine visions of God, light, and water to manifest her dreams, unlocking a mesmerizing inner universe of art, beauty, and movement beyond imagination. Black Dreams is a surreal, experimental documentary, an artistic testament to young, Black, queer artists in New York. As they peel back the layers, they unearth their own brilliance, discovering solace and kinship within their community, and a newfound sense that they are never truly alone. Black Dreams is evidence of our magic.
Saturday, May 11 at 8:00pm – Q&A with Ashley L. Canfield, Naima Hebrail Kidjo, Devin Powell, Ahmed Samir, and Derrick Woordward
VESSELS OF FORTITUDE (101m)
A Quiet Monday
Dika Ofoma, 2023, Nigeria, 22m
Igbo and English
U.S. Premiere
When the leader of a secessionist group in southeastern Nigeria is jailed, his loyalists mandate a compulsory “sit-at-home” on Mondays in protest. Siblings Kamnonu and Ogbonna face danger when they defy the Monday restrictions.
I Promise You Paradise
Morad Mostafa, 2023, Egypt, 25m
Arabic with English subtitles
New York Premiere
Following a violent incident, Eissa, a 17-year-old African migrant in Egypt is in a quest against time to save his loved ones—no matter what it takes.
Bege (Yearning)
Umar Turaki, 2023, Nigeria, 14m
Hausa with English subtitles
North American Premiere
When Sanda shows up at her front door years after their breakup, Amina plays the perfect host. As the conversation unfolds, they acknowledge the things that time has made plain. But do they have the courage to confront the elephant in the room? Bege (Yearning) shines a light on the oft-unspoken emotional toll that comes about when love falls out of bounds for medical reasons, and examines what happens when the body betrays the heart.
Cape Town Royalty Program
Max Fouchee, 2023, South Africa, 7m
English
New York Premiere
An ad presenter has to sell the dream of the South African city Cape Town as a luxurious yet cost-effective new home to wealthy Europeans. Once she realizes her script is problematic, she tries her best to let the prospective audience know about the daily reality of Cape Town’s citizens.
Wèrè
Dolapo Marinho, 2023, Nigeria, 24m
Pidgin and Yoruba with English subtitles
North American Premiere
A homeless woman relies on the kindness of a stranger to survive. When her lifeline disappears, she is forced to ensure her own survival in a perilous city with devastating consequences.
Where My Memory Began
Priscillia Kounkou Hoveyda, 2023, Sierra Leone, 9m
Krio with English subtitles
New York Premiere
Where My Memory Began follows elder Ballu as she tries to remember a 400-year-old cotton tree.
Sunday, May 12 at 6:30pm
Master Class: Ngozi Onwurah
Join AFF as veteran independent filmmaker Ngozi Onruwah discusses the craft of utilizing cinema as a tool for unmasking the dynamics of the socioeconomic status quo in an intimate conversation with Ashley Clark, Curatorial Director at the Criterion Collection, in the Amphitheater in the Elinor Bunin Munroe Film Center.
Thursday, May 11, at 11:30am at Elinor Bunin Munroe Film Center Amphitheater
FILM AT LINCOLN CENTER
Film at Lincoln Center (FLC) is a nonprofit organization that celebrates cinema as an essential art form and fosters a vibrant home for film culture to thrive. FLC presents premier film festivals, retrospectives, new releases, and restorations year-round in state-of-the-art theaters at New York’s Lincoln Center for the Performing Arts. FLC offers audiences the opportunity to discover works from established and emerging directors from around the world with a passionate community of film lovers at marquee events including the New York Film Festival and New Directors/New Films.
Founded in 1969, FLC is committed to preserving the excitement of the theatrical experience for all audiences, advancing high-quality film journalism through the publication of Film Comment, cultivating the next generation of film industry professionals through our FLC Academies, and enriching the lives of all who engage with our programs.
Film at Lincoln Center receives generous, year-round support from the National Endowment for the Arts and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. American Airlines is the Official Airline of Film at Lincoln Center. For more information, visit filmlinc.org and follow @filmlinc on X and Instagram.
AFRICAN FILM FESTIVAL, INC.
Since 1990, African Film Festival, Inc. (AFF) has bridged the divide between postcolonial Africa and the American public through the powerful medium of film and video. AFF's unique place in the international arts community is distinguished not only by leadership in festival management, but also by a comprehensive approach to the advocacy of African film and culture. AFF established the New York African Film Festival (NYAFF) in 1993 with Film at Lincoln Center. The New York African Film Festival is presented annually by the African Film Festival, Inc. and Film at Lincoln Center, in association with Brooklyn Academy of Music and Maysles Cinema. AFF also produces a series of local, national, and international programs throughout the year. More information about AFF can be found on the Web at www.africanfilmny.org. You can follow AFF at @africanfilmfest on X and Instagram.
For press inquiries regarding Film at Lincoln Center, please contact:
John Kwiatkowski, Film at Lincoln Center, JKwiatkowski@filmlinc.org
Eva Tooley, Film at Lincoln Center, ETooley@filmlinc.org
For press inquiries regarding African Film Festival, Inc., please contact:
Cheryl Duncan, Cheryl Duncan & Company Inc., cheryl@cdcprnews.com
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NYWIFT - Photos From First In-Person Gathering in 2024
JANUARY 22, 2024
Members of New York Women in Film & Television (NYWIFT), an advocacy and support organization for equality in the moving image industry, recently met at Tito Murphy's NYC, for a “Night Out” of cocktails, networking and laughs.
Members of the New York Women In Film & Television (NYWIFT) Night Out at Tito Murphy's NYC. Photo by Africa-Related
BY Oyiza Adaba, New York
JANUARY 22, 2024
Members of New York Women in Film & Television (NYWIFT), an advocacy and support organization for equality in the moving image industry, recently met at Tito Murphy's NYC, for a “Night Out” of cocktails, networking and laughs.
Jamire Bell & Toni Israel of REALEMN Productions
Membership is open to this incredible, vibrant, supportive community, with a discounted offer for new applications. Download it here and email to membership@nywift.org to get started.
New York Women in Film & Television (NYWIFT) advocates for equality in the moving image industry and supports women in every stage of their careers. As the preeminent entertainment industry association for women in New York, NYWIFT energizes women by illuminating their achievements, presenting training and professional development programs, awarding scholarships and grants, and providing access to a supportive community of peers.
Photos by @africarelated
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BOBI WINE Documentary Screens at The Whitby New York
Following its world premiere at the Venice Film Festival, and North American debut at the Telluride Film Festival, Bobi Wine: The People’s President screened to a select audience at The Whitby in New York City
Following its world premiere at the Venice Film Festival, and North American debut at the Telluride Film Festival, Bobi Wine: The People’s President screened to a select audience at The Whitby in New York City
Oyiza Adaba, New York
Bobi Wine taking a bow
Full House at Bobi Wine Screening. Moderator David Fear of Rolling Stone Magazine, Robert ‘Bobi Wine’ Kyagulanyi, Barbara ‘Barbie’ Kyagulanyi, co-Director Moses Bwayo.
Multiple award winning documentary film Bobi Wine - The People's President screened at The Whitby New York on December 6, 2023. The screening was hosted by National Geographic and featured the famed musician turned-politician Robert ‘Bobi Wine’ Kyagulanyi, his wife Barbara ‘Barbie’ Kyagulanyi, co-Director Moses Bwayo; with the Q&A moderated by David Fear of Rolling Stone Magazine.
Oscar-winner John Battsek produced, while Moses Bwayo and Christopher Sharp directed the documentary which was among the 17 feature-length documentaries shortlisted for this year’s 39th IDA Documentary Awards. It won the prestigious best feature award on December 12, 2023.
Q & A Session of a story democracy, freedom and love. Video: Africa-Related
The film, which was acquired by National Geographic Documentary Films, is now streaming on Hulu and Disney+, and is free on Youtube for people living on the African continent. In a chat with AR Report, Nat Geo said the move was necessary in order bring equal viewing access to underserved communities globally. It further reaffirms its commitment to “bringing the world premium documentaries that cover timely, provocative and globally relevant stories from the very best documentary filmmakers in the world.”
Photos by Africa-Related
REVIEWS & HIGHLIGHTS: Screening of DELA: The Making of El Anatsui
On November 7 2023, the Biographical Documentary "DELA: The Making of El Anatsui" was screened during the 12th Anniversary Edition of the Africa International Film Festival (AFRIFF) in Lagos, Nigeria. Here are the highlights of the event.
By Fortune Ehiwayas, Lagos
Photo: Olumide Onafuwa
On November 7, 2023, "DELA: The Making of El Anatsui" screened at the recently concluded Africa International Film Festival (AFRIFF). Here are some highlights from the event.
“Beautiful, beautiful.. Simply amazing
”
The 12th edition of the Africa International Film Festival (AFRIFF), themed Indigenous 2.0 to Global was held in Lagos, Nigeria on November 5-11, 2023. Filmmakers from over 150 countries submitted their narrative features, short films, animations, and documentaries. The selected films were screened at FilmHouse Landmark in Victoria Island, with industry wigs in attendance.
First-time director Oyiza Adaba, founder of Africa-Related, member of NYWIFT, NYFPC and producer of TV series Messengers, traces the early life and career paths of El Anatsui - one of the most revered and iconic art figures from Africa with a global impact. Of the documentary, she said, “I wanted to tell a story in colours - a reflection of the spirit of both the subject and our continent.”
One of Executive Producers and Lagos-based lawyer, Mr. Olajide Bello and the editor Mr. Ayodele Banjo of TWPC, were both on hand to engage the audience in the Q & A session that followed the screening.
Attendees include academics from University of Lagos and Yale University, veteran actress Taiwo Ajai-Lycett, musician and saxophonist, Egypt 80’s Tajudeen ‘Baba Ani’ Animashaun, Jazz vocalist Yinka Davies, Genti Media’s Ojiugo Uche and Salma Uche-Okeke, daughter of Uche Okeke the Father of Modernist Art in Nigeria, who was also Anatsui’s employer at the University of Nigeria Nsukka (UNN) in 1976.
“I loved the way his story was told, taking away the political shenanigans and leaving the art. That is the beauty of it all
”
During the two-hour documentary, viewers were transported to various places of influence as seen in El Anatsui’s works - from his birth place in Anyako Ghana, to the locations where his art is displayed around the world.
Mrs. Salma Ifeoma Uche-Okeke expressed her immense pleasure from watching the “nostalgic” documentary and further touched on the sub-theme in the film, encouraging the young ones to maintain patience and character in whatever art they find pleasure; and hoped that more artists in Nigeria will enjoy this kind of exposure through film.
“... reflects the texture of both Africa and the global community”
About the Documentary
The biographical documentary chronicles the foundational influences of El Anatsui. From humble beginnings in Anyako Ghana, thus began an artistic journey that would redefine an art form, create a movement about art from Africa, and produce one of the greatest contemporary artists of our time.
The 2-hour documentary, which took 10 years to make was produced by Africa-Related, and directed by Nigerian journalist and producer Oyiza Adaba, in her directorial debut. The project is supported by Meridian Creative Centre, Jack Shainman Gallery NY, Faysal Khalil, Olajide Bello, Access Bank Ghana, 7-Up Bottling Company Nigeria.
Follow for updates - DELA: The Making of El Anatsui @elanatsuifilm
DELA: IN GLOBAL FILM FESTIVALS NOW
An Africa-Themed MET GALA? New Chief Mark Rollein Speaks
Max Hollein, Director and Chief Executive Officer of The Metropolitan Museum of Art New York, recently hosted members of The NY Foreign Press Center to a breakfast tour, and answered the burning question on every African fashionista’s mind.
By Oyiza Adaba, new york
The Met Fifth Avenue, New York. Photo Africa-Related
Max Hollein, Director and Chief Executive Officer of The Metropolitan Museum of Art New York, recently hosted members of The NY Foreign Press Center to a breakfast tour, and answered the burning question on every African fashionista’s mind.
Members of The NY Foreign Press Center at The MET briefing with Director Max Hollein. Photo Africa-Rleated
The Metropolitan Museum of Art, one of the United States’ leading cultural institutions which boasts “over 5,000 years of art from around the world for everyone to experience and enjoy”, recently gave an exclusive opportunity for members of the Foreign Press to sit down with its Director and Chief Executive Officer Max Hollein to learn their latest news from the Met.
In the Q&A session that followed his remarks, Mr Holllein provided insights on his vision for The Met’s future and the role of a universal museum in the 21st century, and updates on the museum’s priorities, including new cultural property initiatives; post-COVID attendance/revenue recovery; efforts to address issues of diversity, equity, inclusion, and access across themuseum’s collection, programming, and staff; the Museum’s $2B capital projects program, and a look ahead to upcoming exhibitions and events.
Questions from the international press centered around national interests and engagements opportunities, as well as reparations and returns of artworks with controversial aquisistion histories. Mr Hollein explained that The Met has doubled its efforts in protecting global heritage by streamlining its acquisition process with rigorous factchecking mechanisms that will serve both past and future purchases.
Max Rollein spekas on an Africa-themed MET Gala
THE MET GALA 2024
Theme: “Sleeping Beauties: Reawakening Fashion” Photo: Met Gala®
The Costume Institute Benefit, also known as The Met Gala®, will take place on May 6 2024. Sleeping Beauties: Reawakening Fashion is the 2024 theme that will explore notions of rebirth and renewal, using nature as a metaphor for the impermanence of fashion
Exhibition Dates: May 10–September 2, 2024
Exhibition Location: The Met Fifth Avenue, The Tisch Galleries, Gallery 899, Floor 2
“Over 5,000 years of art from around the world for everyone to experience and enjoy”
INSIDE THE METROPOLITAN MUSEUM OF ARTS
AFRIFF Selects Biographical Documentary DELA To Screen At 12th Edition
The Biographical Documentary "DELA: The Making of El Anatsui" has been selected to screen in the 12th Anniversary Edition of the Africa International Film Festival (AFRIFF). The screenings will take place in Lagos, Nigeria, scheduled to run from Nov. 5th-11th, 2023.
By Africa-related, new york
"DELA: The Making of El Anatsui" has been selected to screen in the 12th Anniversary Edition of the Africa International Film Festival (AFRIFF). The screenings will take place in Lagos, Nigeria, scheduled to run from Nov. 5th-11th, 2023.
“DELA”
AFRIFF SCREENING DATE
Tuesday Nov 7, 2023
2:30 - 5:30PM (WAT)
FILMHOUSE LANDMARK CENTRE, LAGOS
About the Documentary
The biographical documentary chronicles the foundational influences of El Anatsui. From humble beginnings in Anyako Ghana, thus began an artistic journey that would redefine an art form, create a movement about art from Africa, and produce one of the greatest contemporary artists of our time.
The 2-hour documentary, which took 10 years to make was produced by Africa-Related, and directed by Nigerian journalist and producer Oyiza Adaba, in her directorial debut. The project is supported by Meridian Creative Centre, Jack Shainman Gallery NY, Faysal Khalil, Olajide Bello, Access Bank Ghana, 7-Up Bottling Company Nigeria.
Follow for updates - DELA: The Making of El Anatsui @elanatsuifilm
screening schedule
SPIKE LEE Exhibits "A Collection That Could Fill The BROOKLYN MUSEUM"
And with those words, The Brooklyn Museum took on the challenge thrown by the legendary Spike Lee - to curate his life's works as filmmaker and cultural icon, in an exhibition themed "Creative Sources"
And with those words, The Brooklyn Museum took on the challenge thrown by the legendary Spike Lee - to curate his life's works as filmmaker and cultural icon, in an exhibition themed "Creative Sources"
by oyiza adaba, New York
Photos BY Africa-related
Filmmaker & Director Shelton Jackson "Spike" Lee, whose rich 40-year career produced unforgettable classic motion pictures like “Do the Right Thing”, “Jungle Fever” “Malcom X” and “4 Little Girls”. Photo from “Creative Sources” exhibition.
BROOKLYN MUSEUM
October 7, 2023 -February 4, 2024
The exhibition boasts over 350 works drawn from his personal collection, including atworks by prominent Black American artists, including Kehinde Wiley, Deborah Roberts, and Michael Ray Charles, displayed alongside instruments once owned by legendary musicians like Baba Olatunji and Prince. Historical and contemporary photographs, sports and movie memorabilia come together to reveal the connections among the people, places, and ideas that have fueled Spike Lee’s incisive and illustrious storytelling career.
Introduction to actress Rosie Perez in “Do The Right Thing” Video: “Creative Sources“ Exhibition
Photos from SPIKE LEE’s CREATIVE SOURCES
WHEY HAM - A Son of HAM Investigates Africa's Oldest Civilisation
Whey Ham is a new documentary narrated by Yahaya Maikori, an entertainment lawyer turned filmmaker and 'son of the soil', that investigates the global spread and undeniable impact of the Nok Culture - Africa's Oldest Civilisation.
by Oyiza adaba, New york
Photos Courtsey of Whey Ham
“Whey Ham”
“Son(s) of Ham” refers to the Ham ethnic group in Southern Kaduna, who occupy the very land where the remarkable Nok terracotta artworks emerged.
Whey Ham Poster
If you are a fan of history, archeological discoveries and artifacts, "Whey Ham" is an artistic piece of storytelling worth forward to. This new documentary, as told by a 'son of the soil', investigates the ancient Nok Culture and its global spread and impact.
The documentary is a personal journey to discovery the captivating world of the Nok Culture, a fascinating and mysterious civilization that thrived over two thousand years ago in what is now Jaba Local Government, Kaduna State in northern Nigeria.
Join a mesmerizing expedition through time that explores the Nok Culture’s technological breakthroughs in iron metallurgy, their illustrious terracotta artistry, and enduring legacy that continues to astonish and inspire generations.
The documentary is narrated by Yahaya Maikori, a prominent entertainment attorney, who is also a direct descendant of the keepers of the tradition and describes himself as an “amateur historian”, . Maikori’s narration provides viewers with firsthand information and rare glimpse of the share scale, offering a unique and insightful perspective into the Nok Culture.
Producer’s Statement
The documentary, which will be released in late 2023, was produced by Definitiv Media Limited, has Ed Keazor as Director (‘January 15, 1970: Untold Memories of the Nigeria – Biafra War’, ‘120 Great Nigerians We Never Knew'); Chigozie Odo and Charles Ezeike (Directors of Photography) and Yahaya Maikori as the Executive Producer. It also features prominent sons and daughters of Ham like His Royal Highness, The Kpok Ham; Archeologist Angela Rackham and daughter of British archaeologist Bernard Fagg who spent time in Nigeria in 1940’s studying Nok; as well as some of the world's foremeost scholars.
Whey Ham Production Photos
Memory Lane: A visit to China Achebe at Bard College
African journalists and educators Okey Ndibe, Joyce Ashuntantang, Omoyele Sowore and Oyiza Adaba visit Prof Chinua Achebe at Bard College in 2008
Press Release
African journalists and educators Okey Ndibe, Joyce Ashuntantang, Omoyele Sowore and Oyiza Adaba visited Prof. Chinua Achebe at his home at Bard College in 2008.
Annandale-on Hudson February 2008
