Highlights: DELA Premieres at KNUST, Kumasi
DELA: The Making of El Anatsui , premiered in The Great Hall at the Kwame Nkrumah University of Science and Technology (KNUST) on August 4, 2025.
BY Africa-Related, Ghana
Photos: blaxTARLINES /KNUST Museum
DELA: The Making of El Anatsui , premiered in The Great Hall at the Kwame Nkrumah University of Science and Technology (KNUST) on August 4, 2025. The celebrated Emeritus Prof. El Anatsui, took center stage in the award-winning biographical documentary, as well as in person. He walked the same stage at the prestigious Great Hall, where, as a young undergraduate in 1968, he collected his degree in Fine and Applied Arts.
Staff and students turned up in mass to pay homage to the old student, who went on to become a globally renowned sculptor. The event highlights include a music performance by Buju Baja, an exhibition of artworks in the film, showing drawings, illustrations and paintings by Bright Ackwerh, Uchenna Ohagwu, Yifat Bezalel and Ghariokwu Lemi.
In her opening remarks, the film’s director, Oyiza Adaba thanked the organizers and urged viewers to take note of the many lessons from Prof. Anatsui’s life and legacy. On his part, the Artist acknowledged KNUST for its solid foundation in shaping his entire being. He spoke fondly of his days at the University and the profound impact on trajectory of his career, while also charging students to chart their paths with courage and authenticity.
The screening event is part of the on-going DELA Campus Tour, and was hosted by the Department of Painting and Sculpture/KNUST Museum/blaxTARLINES.
Senior members of the Faculty in attendance include Dean School of Arts and Built Environment Prof. Karî’kachä Seid’ou, Edwin K. Bodjawah Head, Department of Painting and Sculpture, George Buma Ampratwum and Kwaku Boafo Kissiedu (Castro). Also present were Kwasi Ohene-Ayeh (Painting), Dr. Mrs. Dorothy Amenuke, (Sculpture), Mr. E. Eyram Donkor (Sculpture), Prof. Ebenezer Kofi Howard (Vice Dean-Faculty of Art), Dr Kofi Adjei (Ceramics), Prof. Samuel Nortey (Ceramics) and Rev. Martin Owusu Adi-Dako ( Communication Design).
Follow the film: @elanatsuifilm.
EL Anatsui’s SPEAKS at DELA KNUST PREMIERE
“As a teacher, I’ve taught for many years, 5 years in Winneba and 47 years in Nigeria and I’ve learned from my students... The journey in art is so interesting. Art teaches us so many things in unique ways.”
EXHIBITION: Artworks In The Film
Photo Gallery
DELA Screening At UNN: More Photos
The DELA Campus Tour officially premieres at the esteemed University of Nigeria Nsukka. The screening and exhibition event was hosted by the Institute of African Studies (IAS) in their modern new venue, which was packed with an enthusiastic audience eager to engage with the content, highlighting both interest and meaningful impact.
Photos by IAS-UNN: DELA SCREENING & UNN CAMPUS
More images of the DELA Campus Tour at the esteemed University of Nigeria Nsukka (UNN). The screening and exhibition event was hosted by the Institute of African Studies (IAS) in their modern new venue, which was packed with an enthusiastic audience.
Special Guest: The paramount traditional ruler H.R.H Igwe George ASADU, The Okpe Udo of Ihe Nsukka, who in 2015 conferred the title "Ikedire of Nsukka" (“power which is effective”) on Prof. EI Anatsui.
DELA: The Making of El Anatsui is a biographical documentary about one of the world's greatest sculptors. The Campus Tour aims to bring art and film students closer to the film's subject. It has so far, screened at Pan-Atlantic University Lagos, University of Nigeria Nsukka (UNN). In Ghana, the tour will continue at the artist’s five alma mater institutions.
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DELA Campus Tour: University Of Nigeria, Nsukka (UNN)
The DELA Campus Tour officially premieres at the esteemed University of Nigeria Nsukka. The screening and exhibition event was hosted by the Institute of African Studies (IAS) in their modern new venue, which was packed with an enthusiastic audience eager to engage with the content, highlighting both interest and meaningful impact.
oyiza adaba
maurice E. Okereke
The DELA Campus Tour officially premiered at the esteemed University of Nigeria Nsukka (UNN). The screening and exhibition event was hosted by the Institute of African Studies (IAS) in their modern new venue, which was packed with an enthusiastic audience eager to engage with the content, highlighting both interest and meaningful impact.
Main Gate of the University of Nigeria, Nsukka reading the institution’s motto “To Restore The Dignity Of Man”. Photo: Africa-Related.
To kick off the screening on April 29, 2025, Prof. Chijioke Onuora, a professor of drawing and sculpture in the Fine and Industrial Arts Department conducted an enlightening tour of the captivating photo exhibition that beautifully encapsulates the rich history and vibrant culture of the University of Nigeria.
The ground floor of the Institute of African Studies serves as a walk-in gallery of various artworks by both current and past students and teachers. Our guide was Prof. Chijoke Onuora, a former student of El Anatsui, and also the son of Mr. Joshua Chukwuemeka Onuorah, a pioneer student of Physical Health Education and the UNN unofficial photographer in the 60s and 70s. He showed us beautiful photos taken in the very early days of the university's existence, capturing various occasions such as the first graduation ceremony, and first set of female graduates etc.
Shortly afterwards, the screening began, the atmosphere was quite pleasant. A lot of students streamed in, as the special guest the paramount traditional ruler H.R.H Igwe George ASADU, The Okpe Udo of Ihe Nsukka occupied the front row seat. He, in 2015, conferred the title "Ikedire of Nsukka" (power which is effective) on Prof. EI Anatsui.
Also seated in the packed room were Prof. Krydz Ikwuemesi, Prof. Chidi Ugwu, Assoc. Prof. Greg Mbajiorgu and Assoc. Prof. Vincent Okpara H.O.D, Department of Fine and Industrial Arts. The audience was very receptive and attentive during the viewing, one could tell on account of their humorous and enthused responses. The event concluded with a short Q and A which yielded a few comments with much praise and plenty of thanks to the production team. The organizers were quite gracious, extremely polite and very courteous.
This happened to be the very first event since the inauguration of the new building of the Institute of African Studies, situated close to the UBA gate on campus. It also happened to be the first screening I am attending in person in Nigeria. DELA’s journey to Nsukka was extra special as it was a homecoming of sorts, not just for the film, but also for my ever-supportive husband Maurice Okereke (Words By MOE), a 1995 UNN alumnus, who worked on the film as an assistant music director - contributing original music scores from his poetic pieces, to the film’s soundtrack.
Oyiza Adaba with Nsukka DoP Michael ‘Lenix’ Onah, who filmed some of the Nsukka shots.
DELA: Soundtrack Poster with featured artists.
Other contributing artists include UNN Graduate, the late Bright Andrew Igho a.k.a B-Elect, a musician/author who contributed his track 'WAT THE OLD MAN SAID (B.I.B.L.E.)' to the film. Uchenna Ohagwu (Minista Busta), an IMT Enugu graduate is the visual/graphic artist/musician who designed the DELA icon head logo that depicts El Anatsui’s young and older face. Amarachi Attamah, a griot/chant performer composed a beautiful chant piece entitled 'EGARA EL', used in the opening sequence. Lemi Ghariokwu is the graphic artist who designed several of Fela Kuti's album covers and also designed the DELA 'walking man' logo. Two indigenous musicians DJ Robintonzz added the track 'AFRICA' Ft. New Prince, while Lake Spy composed the film's end credit track 'ASIGI II' in honour of El Anatsui.
The Institute of African Studies, UNN
Ozioma Onuzulike’s piece ‘Seed Yams of Our Land’ series drape the front entrance Institute of African Studies (IAS), University of Nigeria Nsukka. Photo: Africa-Related
New Address: Front entrance Institute of African Studies (IAS), University of Nigeria, Nsukka UNN..
Nsukka town is about eighty kilometers north of Enugu in South Eastern Nigeria, where the University campus sits on 871 hectares of hilly savannah with lush vegetation. The Institute of African Studies was established in 1963, initially as the Hansberry College of African Studies. It was named after Professor William Leo Hansberry, an eminent Afro-American Historian and Africanist, who served as its Director, and taught two African presidents - Dr. Nnamdi Azikiwe of Nigeria and Ghana’s Dr. Kwame Nkrumah.
According to A.E. Afigbo, the idea for a graduate Institute of African Studies in the University of Nigeria was channeled towards research and was designed as a rallying point for “all men of colour who can trace their descent to the African continent no matter in what part of the world they now find their habitation”. The institute’s current Director Prof. Ozioma Onuzulike has ably stepped into the big shoes left by past directors, such as Prof. Edward Wilmot Blyden III, Prof. Donatus I. Nwoga, Prof. Uche Okeke, Prof. Chike Aniakor and many others that followed.
El Anatusi’s sculptures on UNN campus
Prof. El Anatsui was a resident of Nsukka for forty-four years (1975-2020), and retired from teaching sculpture at the Department of Fine and Applied Arts in 2012. Two free-standing sculptures made of concrete with terrazzo finish titled For the Upliftment of Man (1983) and Ambivalent Hold (1983) were selected by the University, and can be found on the grounds of the Physical Sciences building. They were jointly sculpted by members of an art collective called SKEP.
Photos: DELA SCREENING & UNN CAMPUS
DELA: The Making of El Anatsui is a biographical documentary about one of the world's greatest sculptors. The Campus Tour aims to bring art and film students closer to the film's subject. It has so far, screened at Pan-Atlantic University Lagos, University of Nigeria Nsukka (UNN). In Ghana, the tour will continue at the artist’s five alma mater institutions.
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ELMINA: The Struggle Between Suffering and Healing
A visit to Elmina Castle, over three hours from Accra, Ghana, evokes strong feelings about our connection to the Transatlantic Slave Trade. As the 1992 Pan African Historical Theater Festival declared, “May we never allow such injustice again. We, the living, promise to uphold this.”
by Oyiza Adaba, New York
The main courtyard at Elmina Castle, Ghana. Built by the Dutch in 1482. (Photo:Africa-Related)
A SPECIAL REPORT
Made possible by Meridian Creative Center, Tema
A visit to Elmina Castle, over three hours from Accra, Ghana, evokes strong feelings about our collective connection to the Transatlantic Slave Trade. As the 1992 Pan African Historical Theater Festival declared, “May we never allow such injustice again. We, the living, promise to uphold this.”
In the coastal town of Elmina, the ongoing struggle between reliving a horrific era and healing unfolds daily. Here, the remnants of a painful past clash with the hopeful emergence of transformation. Locals, guides and tourists alike navigate these intricate emotions, confronting the weight of their history while striving to cultivate a future filled with resilience and recovery. This delicate balance begins the journey toward healing that many individuals undergo.
“In everlasting memory of the anguish of our ancestors. May those who died, rest in peace. May those who return find their roots. May humanity never again, perpetuate such injustice against humanity. We, the living vow to uphold this
”
Video by Africa-Related for #El@80
In February 2024, friends and colleagues of the globally recognized sculptor and Emeritus Professor of Art, El Anatsui, came together to celebrate his significant 80th birthday with a tour of the Elmina Slave Castle. This historical UNESCO World Heritage site is located in the picturesque town of Elmina, which lies approximately a three-hour drive from Ghana's vibrant capital, Accra.
According to Wikipedia, the castle was the very first trading post established on the Gulf of Guinea by the Portuguese back in 1482, originally called Castelo de São Jorge da Mina, but also known simply as Castelo da Mina or Mina, in what is now present-day Elmina, Ghana, which was formerly known as the Gold Coast.
Journalist/Filmmaker Oyiza Adaba at Elmina Slave Castle, Ghana (Photo by Africa-Related)
I have yet to encounter anyone who did not experience strong emotions following an Elmina tour, and this occasion was no different. Not everyone feels at ease when it comes to listening to accounts from what can only be described as a "barbaric" era, one that was paradoxically executed with The Bible in one hand and The Gun in the other, where chapels were ominously built directly above the grim chambers of torture.
Film director Katrina C. Browne thoughtfully tackles this complex subject concerning the church’s role in the Transatlantic Slave trade in her compelling film, Repairing The Breach: The Episcopal Church and Slavery Atonement. This documentary not only examines historical injustices but also seeks a deeper understanding of the implications of these actions within the context of today’s society.
Tour guide at the infamous Door of No Return. (Africa-Related)
There is no doubt that the subject of slavery continues to be a challenging one to confront, affecting all levels of society and individuals from every race that participated. During the poignant tour, the small group, comprised of academics, artists, enthusiastic entrepreneurs, and members of the media, struggled just as deeply with the history and emotions evoked by the experience.
Slavery Theme in El Anatsui’s Works
As an artist who single-handedly redefined comtmporary sculptor, El Anatsui uses bottle caps in his jaw dropping sculptures to highlight the history of alcoholic drinks tied to the European slave trade. His earlier works in wood and ceramics, along with his bottle cap pieces, reflect themes of slavery and the effects of globalization and consumerism in Africa. Some notable titles that evoke strong imagery and deep reflection on these historical realities and contemporary issues, include: Man Resplendent Pissing Around the World (1995), They Saw Us Through Puffs of Smoke; They Made It Happen, Watched It Happen, But Now With Disheveled Hair, Wonder What Happened (1986), and The Elements Threatened Immediately Above While We Still Milled Around in a Mass of Complacency'; Rising Sea (2019).
Additional Reading:
- A History of Indigenous Slavery in Ghana from the 15th to the 19th Century by Akosua Adoma Perbi
- A Cry & the Lamentations from the Ancestors: A Chronicle from the Trans-Atlantic Slave Trade: (Voices from the Captive Africans)
The various contrasts that Elmina presents to us is certainly not lost on our awareness and understanding. In its sordid history, accompanied by the distinct 'smell you never forget'‘, lies a magnificent, imposing beauty that serves to keep the memory of the past alive, thereby ensuring that history does not repeat itself ever again.
The whitewashed walls of this remarkable place hold significant historical dirt that tells a story of resilience and survival, yet Elmina has also become a hauntingly beautiful backdrop for an array of films, captivating books, and striking photo shoots. Renowned writer and historian Prof. Christopher L. Richards used Elimna as the cover of his book Cosmopolitanism and Women’s Fashion in Ghana History, Artistry and Nationalist Inspirations. He worked with the creative duo of photographer, Dean Zulich and Fashion Curator Beatrice ‘Bee’ Arthur, who recount their unique Elmina experiences on TV Series Messengers, all while diligently capturing the rich history and tapestry of Ghanaian fashion.
Cosmopolitanism and Women’s Fashion in Ghana
#El@80 elmina tour: PHOTOS BY AFRICA-RELATED
This report was made possible by Meridian Creative Center, Tema with additional images provided by elanatsuifilm.com, elanatsui.art, #el@80, Timothy Doh, Dean Zulich, and Moses Adeyemi.
DELA Premieres In GHANA
DELA: The Making of El Anatsui Premieres at Black Star International Film Festival in Ghana to rave reviews.
DELA: The Making of El Anatsui Premieres at Black Star International Film Festival in Ghana to rave reviews.
Prof. El Anatsui holds his Achievement Award - a gold bar with a black star /Photo by Africa-Related
The evening of September 22 marked the first screening of the biographical documentary at the World Trade Center in Accra, Ghana. The film’s subject, Professor El Anatsui was ushered into the decorated venue by The Anyako Cultural Troupe, while piano genius Funsho Ogundipe of AYETORO performed alongside Trombonist Elikplim Amewode after the screening. There was a brief Q & A with film Director Oyiza Adaba, followed by a citation presentation, done by Dr. Odoi Oddoye. The film was well received by the audience made up of dignitaries that included diplomats, family, friends, artists and colleagues.
Acceptance Speech
Professor El Anatsui opened his acceptance speech with the challenges faced with continuous camera exposure in over 10 years of filming. He also advised the organisers on the use of the term "lifetime achievement," emphasizing it should be ongoing for living individuals.
He reflected on the global perspective of art and suggested that there are still aspects of art that have not been addressed. He also referenced the "art is life" slogan by KNUST, highlighting the complexity of life and its integration into art.
Cultural Influences and Artistic Journey
The Emeritus Professor recounted his early career beginning post-school, influenced by Western teachings with little emphasis on local culture. He noted how the discovery of Adinkra signs excited him as a young man growing up in the rural Volta region.
He also compared the Renaissance period in Europe with the abstract Adinkra signs, emphasizing their cultural significance and citing his influence by abstract art originating from the cultural center in Kumasi. He touched briefly on the challenges and contributions in Art, noting the ease of following but the difficulty of extraction.
For a moment the globally celebrated sculptor reflected on the balance between family and societal influences on his artistic journey, and dedicated the award to society, highlighting its significant role in his development.
He ended by thanking the Black Star International Film Festival organizers for their honor and acknowledged the societal contributions to his growth.
Citation
Black Star International's Tribute honors Professor Anatsui for his transformative works that have changed global perceptions of African art.The citation highlights Professor Anatsui's innovative use of local organic materials and education in his art. We emphasize Professor Natri's contributions to African art on the world stage, showcasing African artistry globally. The tribute acknowledges Professor Anatsui's extraordinary contributions to art and culture in Africa and beyond.
About Black Star International Film Festival
BSIFF IS A CULTURAL ORGANIZATION COMMITTED TO NURTURING, EDUCATING AND INSPIRING LOVE FOR THE BUSINESS OF FILM IN AFRICA.
BSIFF provides a platform that inspires love for film and cinema; supporting independent African filmmakers to reach distribution opportunities, the right network, worldwide audience, film education, acquire relevant skills and that push their creative boundaries beyond limit.
PHOTOS FROM DELA SCREENING
EL ANATSUI Marks His Undeniable Legacy At 80
Family Patriarch, Global Icon, Sculptor Extraordinaire, son of Ghana and a most Remarkable Human Being, Emeritus Prof. El Anatsui, marked eighty years of his lifetime on earth on Sunday, 4th February 2024 at Kwame Nkrumah Museum Accra, Ghana.
By oyiza adaba
Africa-related, accra ghana
EL@80 Logo
EL ANATSUI LEGACY 80
An Exclusive Evening of
Discourse Dinner Music
February 4, 2024
Family Patriarch, Global Icon, Sculptor Extraordinaire, son of Ghana and a most Remarkable Human Being, Emeritus Prof. El Anatsui, marked eighty years of his lifetime on earth on Sunday, 4th February 2024 at Kwame Nkrumah Museum Accra, Ghana.
El Anatsui’s Legacy is all about what he stands for, and the milestone was celebrated in a two-part series of events that included an interactive discourse with an engaging panel titled, “Exploring Nigeria/Ghana Relations and What Unites More Than Divides Us As A People”. Having, stood at this same crossroads, El Anatsui has remained a formidable bridge between these two counties for eight decades.
Following this, friends, colleagues and family from near and wide attended the invitation-only exclusive dinner and live music performance, that featured a mouth-watering dinner, gift presentations of many kinds, and performances by select artists including Ghana’s female Jazz ensemble The Lipstik Queens, Tema Senior High School Choir and Anyako Cultural Troupe, and Afrobeat Sensation Dede Mabiaku & Kalafika Band.
The evening’s highlight was when the celebrant was conferred upon, the title of Torgbui Kekeli I of Anyako Woeto (‘beacon of light’), by the paramount chief Torgbui Tenge Dzokoto Gligui VII. This makes it Anatsui’s second traditional title since his 2017 conferment as the Ikedire of Nsukka ('power which is effective').
Other activities included a book unveiling titled “The World Celebrates El Anatsui @80” by a collective of esteemed academics from the University of Nigeria, Nsukka (UNN); with guided tours to Ghana’s educational and tourism landmarks such as Elmina Castle, the Kwame Nkrumah Museum, and University of Ghana.
El Anatsui is a contemporary artist from Ghana who singlehandedly redefined the meaning of sculptor and created a global art movement, from his four-decade stay in Nsukka, Nigeria. His works have graced prestigious art spaces worldwide, like the ongoing Hyundai Commission at Tate Modern. Learn more about a most remarkable human being from his upcoming biographical documentary DELA: The Making of El Anatsui.
El@80 Video Highlights
Photos by Africa-Related
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REVIEWS & HIGHLIGHTS: Screening of DELA: The Making of El Anatsui
On November 7 2023, the Biographical Documentary "DELA: The Making of El Anatsui" was screened during the 12th Anniversary Edition of the Africa International Film Festival (AFRIFF) in Lagos, Nigeria. Here are the highlights of the event.
By Fortune Ehiwayas, Lagos
Photo: Olumide Onafuwa
On November 7, 2023, "DELA: The Making of El Anatsui" screened at the recently concluded Africa International Film Festival (AFRIFF). Here are some highlights from the event.
“Beautiful, beautiful.. Simply amazing
”
The 12th edition of the Africa International Film Festival (AFRIFF), themed Indigenous 2.0 to Global was held in Lagos, Nigeria on November 5-11, 2023. Filmmakers from over 150 countries submitted their narrative features, short films, animations, and documentaries. The selected films were screened at FilmHouse Landmark in Victoria Island, with industry wigs in attendance.
First-time director Oyiza Adaba, founder of Africa-Related, member of NYWIFT, NYFPC and producer of TV series Messengers, traces the early life and career paths of El Anatsui - one of the most revered and iconic art figures from Africa with a global impact. Of the documentary, she said, “I wanted to tell a story in colours - a reflection of the spirit of both the subject and our continent.”
One of Executive Producers and Lagos-based lawyer, Mr. Olajide Bello and the editor Mr. Ayodele Banjo of TWPC, were both on hand to engage the audience in the Q & A session that followed the screening.
Attendees include academics from University of Lagos and Yale University, veteran actress Taiwo Ajai-Lycett, musician and saxophonist, Egypt 80’s Tajudeen ‘Baba Ani’ Animashaun, Jazz vocalist Yinka Davies, Genti Media’s Ojiugo Uche and Salma Uche-Okeke, daughter of Uche Okeke the Father of Modernist Art in Nigeria, who was also Anatsui’s employer at the University of Nigeria Nsukka (UNN) in 1976.
“I loved the way his story was told, taking away the political shenanigans and leaving the art. That is the beauty of it all
”
During the two-hour documentary, viewers were transported to various places of influence as seen in El Anatsui’s works - from his birth place in Anyako Ghana, to the locations where his art is displayed around the world.
Mrs. Salma Ifeoma Uche-Okeke expressed her immense pleasure from watching the “nostalgic” documentary and further touched on the sub-theme in the film, encouraging the young ones to maintain patience and character in whatever art they find pleasure; and hoped that more artists in Nigeria will enjoy this kind of exposure through film.
“... reflects the texture of both Africa and the global community”
About the Documentary
The biographical documentary chronicles the foundational influences of El Anatsui. From humble beginnings in Anyako Ghana, thus began an artistic journey that would redefine an art form, create a movement about art from Africa, and produce one of the greatest contemporary artists of our time.
The 2-hour documentary, which took 10 years to make was produced by Africa-Related, and directed by Nigerian journalist and producer Oyiza Adaba, in her directorial debut. The project is supported by Meridian Creative Centre, Jack Shainman Gallery NY, Faysal Khalil, Olajide Bello, Access Bank Ghana, 7-Up Bottling Company Nigeria.
Follow for updates - DELA: The Making of El Anatsui @elanatsuifilm
DELA: IN GLOBAL FILM FESTIVALS NOW
AFRIFF Selects Biographical Documentary DELA To Screen At 12th Edition
The Biographical Documentary "DELA: The Making of El Anatsui" has been selected to screen in the 12th Anniversary Edition of the Africa International Film Festival (AFRIFF). The screenings will take place in Lagos, Nigeria, scheduled to run from Nov. 5th-11th, 2023.
By Africa-related, new york
"DELA: The Making of El Anatsui" has been selected to screen in the 12th Anniversary Edition of the Africa International Film Festival (AFRIFF). The screenings will take place in Lagos, Nigeria, scheduled to run from Nov. 5th-11th, 2023.
“DELA”
AFRIFF SCREENING DATE
Tuesday Nov 7, 2023
2:30 - 5:30PM (WAT)
FILMHOUSE LANDMARK CENTRE, LAGOS
About the Documentary
The biographical documentary chronicles the foundational influences of El Anatsui. From humble beginnings in Anyako Ghana, thus began an artistic journey that would redefine an art form, create a movement about art from Africa, and produce one of the greatest contemporary artists of our time.
The 2-hour documentary, which took 10 years to make was produced by Africa-Related, and directed by Nigerian journalist and producer Oyiza Adaba, in her directorial debut. The project is supported by Meridian Creative Centre, Jack Shainman Gallery NY, Faysal Khalil, Olajide Bello, Access Bank Ghana, 7-Up Bottling Company Nigeria.
Follow for updates - DELA: The Making of El Anatsui @elanatsuifilm
screening schedule
El Anatsui visits MoMA
World renowned contemporary artist and sculptor El Anatsui visited the Museum of Modern Art (MoMA) in New York, where he was given a guided tour by MoMA curator and former student Ugochukwu Smooth Nzewi. He took in art exhibitions like "Emerging Ecologies", as well as others by artists like Mae-ling Lokko, Refik Anadol, and Ed Ruscha.
Africa-related, new york
Exhibition: “Emerging Ecologies” showing at MoMA NewYork
World renowned contemporary artist and sculptor El Anatsui visited the Museum of Modern Art (MoMA) in New York, where he was given a guided tour by MoMA curator and former student Ugochukwu Smooth Nzewi. He took in art exhibitions like "Emerging Ecologies", as well as others by artists like Mae-ling Lokko, Refik Anadol, and Ed Ruscha.
Video: El Anatsui @ MoMA by Africa-Related
EXHIBITIONS AT MOMA
What is BEHIND THE RED MOON? El Anatsui Transforms Tate Modern Turbine Hall
Tate Modern's #TurbineHall opened on October 11, 2023 with “Behind The Red Moon” by globally acclaimed sculptor El Anatsui who transformed the site-specific Hyundai Commission with shimmering bottle cap sculptures with messages about global trade, consumption, environment and history.
El Anatsui. 13 Hyundai Commission: Behind the Red Moon. Photo ©Tate (Lucy Green)
Africa-Related, New York
PhotOS: ©Tate
Tate Modern's #TurbineHall opened on October 11, 2023 with “Behind The Red Moon” by globally acclaimed sculptor El Anatsui who transformed the site-specific Hyundai Commission with shimmering bottle cap sculptures with messages about global trade, consumption, environment and history.
Exhibition: Behind The Red Moon
October 11, 2023 - April 14, 2023
Global trade, consumption, environment and history were at the heart of El Anatsui’s mind-blowing exhibition at Tate Modern’s Turbine Hall. The internationally recognized artist is best-known for his cascading metallic sculptures constructed of thousands of upcycled bottle-tops strung with copper wire. The results of these repurposed materials are the dazzling works of abstract art, that have graced several prestigious museums and galleries around the world.
Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world's most memorable works of contemporary art. Artists like Louise Bourgeois, Cecilia Vicuña, Kara Walker, Anicka Yi, Tito Seghal, Richard Title, Miroslaw Balka, Ai Weiwei and many more; have used their art in the Turbine Hall to make statements on a wide range of subjects.
Behind the Red Moon: Photo ©Tate (Joe Humphrys)
The Hyundai Commission is curated by International Art curator Osei Bonsu, with Dina Akhmadeeva serving as Assistant Curator. The exhibition will be accompanied by a new book from Tate Publishing, in partnership with Hyundai Art Lab.
Behind the Red Moon: Photo ©Tate (Lucy Green)
DELA: The Making of El Anatsui is showing worldwide at film festivals
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GHANAIAN SCULPTOR EL ANATSUI HONORED AT TIME100 MOST INFLUENTIAL PEOPLE GALA IN NEW YORK
Time100 is a yearly event that selects and brings together prominent, history-making, global figures. Adoring fans lined the streets leading up to the Jazz at Lincoln Center, where Time Magazine was hosting a gala in honor of Time100 Most Influential People.
By Oyiza Adaba, New York
April 28, 2023
“Trust has never been more important, and it speaks to both our legacy and our future”
Adoring fans lined the streets leading up to the Jazz at Lincoln Center, where Time Magazine was hosting a gala in honor of Time100 Most Influential People.
Notable names were included in this year’s list of categories, which were: Artists, Icons, Pioneers, Leaders, Titans and Innovators. .Actress Jessica Collidge hosted and joked, "Think of how many followers you could get", while calling for further collaboration among honorees. American rapper and “pioneer” honoree, Amala Ratna Zandile Dlamini, aka Doja Cat, thrilled the 300 plus guests with her performance.
Among the prominent names at the event were Salma Hayek Pinault, Michael B. Jordan, Keegan-Michael Key, Austin Butler and Angela Bassett. Veteran Director Steven Spielberg received the Impact Award, and credited Time Magazine's longevity - since the first issue on March 3, 1923 - to keeping up with current issues. The plaque was presented to him by two former child stars from his films, Drew Barrymore and Ke Huy Quan
Africa was well represented on the list with Ghanaian sculptor, El Anatsui - one of the most respected, international contemporary artists - leading the way. Other game changers from the continent were Wangira Mathai, a Kenyan environmentalist and activist, VP/Regional Director World Resources Institute; Dimie Ogoina, a Nigerian infectious disease, physician-scientist at Niger Delta University and President of the Nigerian Infectious Diseases Society; Nigerian politician and President-elect, Bola Ahmed Tinubu; Elizabeth Maruma Mrema, the Tanzanian biodiversity leader and Cameroonian soccer player, Kylian Mbappé.
In an interview with El Anatsui, an Emeritus Professor of Sculpture, he fondly recalled the early years of his career, when he was questioned about what he could possibly do in art. He described this year’s recognition from Time magazine as "quite significant, indicating that I have been able to make an impact and do something with my art”.
Jazz at Lincoln Center is a prestigious upscale venue in New York City that has hosted Jazz and Blues greats, such as Miles Davis, Wes Montgomery, Ella Fitzgerald, Wayne Shorter, BB King, Charles Mingus, Billie Holiday, and Sarah Vaughn.
Time100 is a yearly event that selects and brings together prominent, history-making, global figures. The final list of these influential individuals is exclusively chosen by Time’s editors, with nominations coming from the Time 100 alumni and the magazine's international writing staff. The ceremony has been held annually since 2004.
Photo Highlights: Photos: Africa-Related/elanatsui.art
See complete list: Time100 Most Influential People 2023
ARTISTS
• Michael B. Jordan
• Drew Barrymore
• Ali Wong
• Austin Butler
• Aubrey Plaza
• Rian Johnson
• Salma Hayek Pinault
• Zoe Saldaña
• Judy Blume
• Colin Farrell
• Lea Michele
• Simone Leigh
• Wolfgang Tillmans
• Suzan-Lori Parks
• Neil Gaiman
• Shervin Hajipour
• El Anatsui
• Colleen Hoover
• Steve Lacy
ICONS
• Jennifer Coolidge
• Ke Huy Quan
• Sara Mardini and Yusra Mardini
• Shah Rukh Khan
• Pedro Pascal
• Brittney Griner
• King Charles
• Salman Rushdie
• RowVaughn Wells
• Tracie D. Hall
• Peng Lifa
• Shannon Watts
• Haluk Levent
• Imara Jones
• Yvon Chouinard
PIONEERS
• Doja Cat
• Mikaela Shiffrin
• Bella Hadid
• Sam Altman
• Niloofar Hamedi and Elaheh Mohammadi
• Thom Browne
• S.S. Rajamouli
• MrBeast
• Elizabeth Maruma Mrema
• Britney Schmidt and Peter Davis
• Sam Rivera
• Robin Zeng
• Edward Reynolds
• Margaret Mitchell
LEADERS
• Olena Zelenska
• Luiz Inácio Lula da Silva
• Hakeem Jeffries
• Evan Gershkovich
• Janet Yellen
• Sherry Rehman
• Mitch McConnell
• Anthony Albanese
• Margrethe Vestager
• Joe Biden
• Samuel Alito
• Gustavo Petro
• Gina Raimondo
• Oleksandra Matviichuk
• Fumio Kishida
• Cindy McCain
• María Herrera Magdaleno
• Olaf Scholz
• Bola Ahmed Tinubu
• Min Aung Hlaing
TITANS
• Angela Bassett
• Laurene Powell Jobs
• Lionel Messi
• Padma Lakshmi
• Johan Rockstrom
• Beyoncé
• Patrick Mahomes II
• Elon Musk
• Gina Prince-Bythewood
• Karen Lynch
• Shou Zi Chew
• Ozlem Tureci and Ugur Sahin
• Deborah Lipstadt
INNOVATORS
• Bob Iger
• Sarah Kate Ellis
• Kylian Mbappé
• Natasha Lyonne
• Monica Simpson
• Nathan Fielder
• Wanjira Mathai
• Hidetaka Miyazaki
• Jerrod Carmichael
• Catherine Coleman Flowers
• Sean Sherman
• Iga Swiatek
• Kate Orff
• Dimie Ogoina
• Andrea Kritcher
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El Anatsui Bags Traditional Title - IKEDIRE of Nsukka
On August 24, 2019, Emeritus Professor El Anatsui enjoyed an installation of a different kind. The traditional ruler of Ihe/Owerre Nsukka in Enugu State, Nigeria, Igwe George F. O. Asadu conferred a traditional title on the artistic icon and long-time resident of Nsukka (since 1975). In so doing, Prof El Anatsui was received into the Council of the Igwe and regarded as IKEDIRE.
Oyiza Adaba and Uche Onyishi
Photos: Elijah Okoro for Africa-Related
NSUKKA - NIGERIA
IKEDIRE of NSUKKA
Globally acclaimed sculptor and long-time Nsukka resident of 45 years, Ghanaian artist EL Anatsui is IKEDIRE of Nsukka. Photo by Africa-Related.
“power which is effective”
AUGUST 24, 2019
“Intimidating”
On August 24, 2019, Emeritus Professor El Anatsui enjoyed an installation of a different kind. The traditional ruler of Ihe/Owerre Nsukka in Enugu State, Nigeria, Igwe George F. O. Asadu conferred a traditional title on the artistic icon and long-time resident of Nsukka (since 1975). In so doing, Prof El Anatsui was received into the Council of the Igwe and regarded as IKEDIRE.
“Anyone that has remained happily in a place for 45 years is long overdue its citizenship.”
FULL REGALIA
Emeritus Professor El Anatsui - Ikedire of Nsukka with the traditional ruler of Ihe/Owerre Nsukka in Enugu State, Nigeria Igwe George F. O. Asadu.
The traditional title of 'Ikedire', meaning 'power which is effective' reflects Anatsui's commitment to his adopted community of Nsukka, a university town in the south-east where he taught at the University of Nigeria from 1975 until he retired in 2012. Although this native son of Ghana has enjoyed world wide acclaim through his art, he is also known for his humanitarian and community initiatives, which directly impacts lives.
‘Intimidating’, was the word used by Prof. Greg Mbajiogu, a lecturer in theatre and film studies to describe Anatsui’s citation. Above the accolades and speeches was one shared sentiment - “This is an honour overdue”. Fiends and colleagues who attended the simple ceremony at the Igwe's home; appreciate its depth and agree that Anatsui's contributions have in no small measure put Nsukka on the world map.
In Igwe Asadu’s words, ‘Anyone that has remained happily in a place for 45 years is long overdue its citizenship’.
For more info on El Anatsui, visit elanatsui.art . Watch El Anatsui’s biographical documentary here.
PHOTO HIGHLIGHTS
Photos by @africarelated
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El Anatsui's 'THREE ANGLES' Opens Carnegie International's 57th Edition
Ahead of the opening of the 57th Edition of The Carnegie International, which opens on October 13, 2018 , acclaimed sculptor EL Anatsui was in Pittsburgh PA for the installation of his most recent piece 'Three Angles', which covers the facade of the Carnegie Museum of Art.
Oyiza Adaba - Pittsburgh, PA
The Artist, EL Anatsui in front of Carnegie Museum of Art facade.
““It feels like an opening on the museum wall to the sky.””
Ahead of the opening of the 57th Edition of The Carnegie International, which opens on October 13, 2018 , acclaimed sculptor El Anatsui was in Pittsburgh PA for the installation of his most recent piece 'Three Angles', which covers the facade of the Carnegie Museum of Art.
Joining him at the pre-opening reception hosted by the museum was Pittsburgh-based Architect and Sculptor Dee Briggs, who fabricated the piece by galvanizing 21 young men and women of various ages from her Wilkinsburg community to work on it, over a five month period.
The piece combines aluminum printing plates sourced locally in Pittsburgh with metal (bottle caps) from Nsukka, and embeds 'triangular/meeting point/mirror' themes throughout. It will be the first time the artist has combined manpower and material across the continents to conceptualize and fabricate a piece.
"It feels like an opening on the museum wall to the sky", exclaimed Puala, a passerby who stopped to admire the hanging piece.
El Anatsui is one of 32 artists and collectives invited to participate in this prestigious art event, which takes place every 5 years. The exhibition is open through March 25, 2019.
DELA: The Making of El Anatsui is a biographical documentary about one of the world's greatest sculptors.
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Highlights of Anya Fụlụ Ugo 2015
An Interdisciplinary African Arts Conference in honour of El Anatsui and Obiora Udechukwu that took place at the Faculty of Arts, University of Nigeria, Nsukka, Nigeria. The maiden edition was held in honour of Professors El Anatsui and Obiora Udechukwu.
By oyiza adaba - Africa-Related, Nigeria
Faculty of Arts Complex, University of Nigeria, Nsukka. Photo: Africa-Related
anya fụlụ ugo jaa ya mma, na-adi afụ ugo kwa daa
- the eye that sees an eagle should adore it, for only rarely are eagles seen -
Video Courtesy of Africa-Related
Interdisciplinary African Arts Conference of the Faculty of Arts, University of Nigeria, Nsukka, Nigeria in honour of El Anatsui and Obiora Udechukwu
Theme: African Art and Artists after the Millennial Turn
Venue: Princess Alexandria Auditorium, University of Nigeria, Nsukka, Nigeria
Date: 24-27 June 2015
This conference adopts an interdisciplinary approach to the discourse of the current state of art and artists in Africa and in the African Diaspora. It is our tribute to two important global artists associated with the Faculty of Arts at the University of Nigeria, Nsukka, whose work over the past four decades demonstrates the multiple layers of critical, historical, and other narrative contexts that African art engenders today. Professors El Anatsui and Obiora Udechukwu are acclaimed for creating a respectable body of works that have grown to defy any marginal critical or historical narrative - a microcosm of the form and content of African art today.
The four-day even was attended by artists and educators from various countries including UK, Spain, The United States, Germany etc. The program was packed with activities such as breakout sessions, art exhibitions, guided tours etc.
The broad theme of the conference, “African Art and Artists after the Millennial Turn” proposes an interdisciplinary approach to the discourse of the current state of art and artists in Africa and in the African Diaspora. Under the banner “Anya Fulu Ugo”, this maiden edition was held in honour of Professors El Anatsui and Obiora Udechukwu.
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El Anatsui & Ngũgĩ wa Thiong’o: Induction Ceremony To American Academy of Arts & Sciences
The American Academy of Arts and Sciences (AMACAD) inducted 204 new members at Havard University Cambridge on October 10 & 11, 2014 . They include some of the world’s most accomplished scholars, scientists, writers, artists, and civic, corporate, and philanthropic leaders.
OYIZA ADABA - Cambridge, MA
Photos by Africa-RelATD
Letters of Acceptance line up the halls of The American Academy of Arts & Sciences at Havard University, Cambridge, MA.
El Anatsui & Ngũgĩ wa Thiong’o: Induction Ceremony to The American Academy of Arts & Sciences
The American Academy of Arts and Sciences (AMACAD) inducted 204 new members at Havard University Cambridge on October 10 & 11, 2014 . They include some of the world’s most accomplished scholars, scientists, writers, artists, and civic, corporate, and philanthropic leaders. Two prominent Africans were also on the list - novelist & playwright Ngũgĩ wa Thiong’o for Literary Criticism from University of California, Irvine; and former Professor of Arts from the University of Nigeria, Nsukka El Anatsui as a Foreign Honorary Member in Visual Arts Criticism and Practice.
NEWLY ELECTED MEMBERS, APRIL 2014
TOTAL: 204
FELLOWS: 188
FOREIGN HONORARY MEMBERS: 16
EL Anatsui & Ngũgĩ wa Thiong’o Inducted
Since its founding in 1780, The Academy has served as a champion of scholarship, civil dialogue, and useful knowledge. As one of the country's oldest learned societies and independent policy research centers, the Academy convenes leaders from the academic, business, and government sectors to respond to the challenges facing the United States and the rest of the world.
AMACAD’s membership encompasses over 4,600 Fellows and 600 Foreign Honorary Members; and reflects the full range of disciplines and professions including mathematics, physical and biological sciences, medicine, social sciences and humanities, business, government, public affairs, and the arts. Among the Academy's Fellows are more than 250 Nobel laureates and 60 Pulitzer Prize winners. The strength of the Academy lies in the intellectual leadership of its members and the wide range of expertise they bring to its studies and publications.
Letters of Acceptance Class of 2014
Past inductees include Nelson Mandela (2009), Albert Einstein (1924), Martin Luther King Jnr (1966), Bill Clinton (2006), Quincy Jones (2001), Thomas Jefferson (1987), Al Pacino (2014), George Washington (1781), Colin Powell (2009), Alan Alda (2006), Paul McCartney (2012), T.S Eliot (1954), Emmylou Harris (2009), Joan Miro (1961) and many more.
DELA: The Making of El Anatsui is a biographical documentary about one of the world's greatest sculptors. .
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